Virgo’s Lie is hot but Egoyan’s Love is cooler
Screendaily
by Denis Seguin in Toronto
23 June 2004
Summer is always the busiest season for film production. In Canada, where
the summer is as short as it is hot, that makes it busier than most. In
terms of heat, the hottest production by far is Clement Virgo’s new film,
Lie With Me, which started shooting in Toronto on June 16.
Virgo co-wrote the screenplay with Tamara Faith Berger based on her
`brazenly pornographic’ novel. Mark Urman head of theatrical distribution
for THINKFilm, which picked up world rights for the project, is already
making comparisons with sensual sensations of the past. `Clement and
Tamara’s script explores human sexuality with a bravery and honesty not seen
on screen since Bertolucci’s Last Tango In Paris,’ says.
`We are thrilled to be in bed with such a provocative filmmaker and fully
expect Clement, Tamara and their terrific actors [Eric Balfour and Lauren
Lee Smith] to create the most honest, erotic and intimate film about sex
ever made in North America.’ No small feat.
Second perhaps in sensation but higher in prestige is the prospect of a new
film from auteur Atom Egoyan. The heat is on the auteur and in more ways
than one. His previous film, Ararat, a film that explored the historical
impact of genocide, was critically lauded and created its share of
controversy. But it didn’t perform at the box office. The new film, Somebody
Loves You, is a clear departure from weighty subject matter. But it also
offers an opportunity for Egoyan to break from the
`intellectuals-only-need-watch’ track his career has lead him. Based on the
widely-admired novel by Broadway wunderkind Rupert Holmes, the story follows
a young celebrity journalist as she tracks the secrets of a showbiz duo who
were driven apart by a bizarre death in which one of them may have played
the part of murderer. The deeper she digs the more she finds herself
involved with both men and perhaps risking more than she bargained. The
project offers some audience-friendly genre landmarks (1970s LA noir) with
Egoyanesque touchstones like identity confusion. It’s the third novel Egoyan
has adapted (the others were 1997’s The Sweet Hereafter and 1999’s Felicia’s
Journey) but is by far the least depressing. The film starts shooting at the
end of August under Egoyan’s long-time collaborator producer Robert Lantos,
who is a third source of heat. After the failure Norman Jewison’s The
Statement, Lantos’ Serendipity Point Films needs a hit.
From: Emil Lazarian | Ararat NewsPress