MUSIC OPENS ARMENIAN SOUL, HISTORY DILIJAN CHAMBER GROUP PLAYS HEARTFELT SELECTIONS
by Alex Dobuzinskis, Staff writer
Los Angeles Daily News
April 9 2006
GLENDALE – Performing the classics to open a window into the Armenian
soul, the directors of the fledgling Dilijan chamber music series
have chosen composers who offer turbulent life stories.
They include an Armenian priest and composer who ended up in an
insane asylum after being deported by the Ottoman Turks in 1915, and
a Russian-trained composer of Armenian descent who was sanctioned by
the Soviet “music police” for creating pieces deemed too abstract.
The Dilijan series has also sought to present the work of emerging
composers, especially those of Armenian descent.
After Armenia’s long history of being ruled by the Ottoman Empire
and then the Soviet Union, the nation’s composers are finally coming
into their own, said Vatsche Barsoumian, a Glendale-based creator
of the Dilijan series. And as Armenian composers create new music,
the series is bringing their work to Southern California audiences.
“Now that (Armenia is) relatively independent,” Barsoumian said,
“we are trying to find out and experiment with sound that is closest
to our heart and experiences as Armenians, without any impediments.”
Dilijan, in its inaugural season, brings together small groups of
musicians to play classical music, using the Colborn School of Music
in downtown Los Angeles as a venue and operating out of the Glendale
office of the nonprofit Lark Musical Society.
The series is not dedicated only to compositions by Armenians. It has
already featured the work of classical music heavyweights Josef Haydn,
Felix Mendelssohn and Johannes Brahms.
And many of the 26 professional musicians involved in the project are
also not of Armenian descent. Phil O’Connor, 33, who plays clarinet
and saxophone, said he has enjoyed being part of the series.
“In the chamber music setting, because it’s less people involved,
you have more ability for everyone to interject their opinion and
… you can develop a group interpretation much more readily than
you would in a symphony,” O’Connor said.
Artistic director Movses Pogossian, 39, of Montrose is a violinist
who made his American debut in 1990 as a soloist with the Boston Pops.
A native of Armenia who taught music at universities in Pittsburgh,
Bowling Green and Detroit, he is impressed by Los Angeles musicians who
are just as comfortable playing at a movie studio as a symphony hall.
“Musically it’s the busiest city in America,” Pogossian said. “I
think it has the greatest number of great musicians in the country.”
On April 21, in a show called “Armenian Genocide Commemoration,”
Pogossian and five other musicians will perform the last installment
of the Dilijan series. The show comes a few days before the date
when Armenians mark the 1915 deportations and killings in the Ottoman
Empire that claimed the lives of an estimated 1.5 million Armenians.
One of the pieces chosen for the evening is a work by the Armenian
priest and composer Komitas. He was deported by the Ottoman Turks
in 1915 and narrowly escaped death, but the experience put him in an
insane asylum and he died a few years later.
The April 21 show will also feature work by the living Armenian
composer Tigran Mansurian, and the late French composer Olivier
Messiaen’s “Quartet for the End of Time,” which was written in a
German prison camp during World War II.
“Instead of bringing out the dark and tragic in the piece, basically
Messiaen is singing the glory to God and it’s an incredibly positive
and life-affirming piece,” Pogossian said.
On Oct. 20, the series presented a unique show called “Condemned
by Stalin,” highlighting three Soviet composers who fell out of
favor with dictator Joseph Stalin. They include Aram Khatchaturian,
a Russian-trained composer of Armenian descent.
“They thought that he was trying to do some advanced modernistic
styles,” Barsoumian said.
The other two composers were Sergei Prokofiev and Dmitri Shostakovich.
“Their music was going to be checked by people who acted like
policemen, music policemen,” Barsoumian said.
For more information on the Dilijan chamber music series, go to