SAXOPHONIST GEORGE GARANIAN, RUSSIA’S JAZZ PIONEER, DIES

All About Jazz
7744
Jan 11 2010

Shortly upon his arrival in Krasnodar, Russia, where he was scheduled
to conduct the Krasnodar Municipal Big Band during two planned
concerts with featured soloist Michel Legrand, the Soviet jazz veteran
bandleader, arranger, composer, and alto saxophonist George Garanian
was hospitalized in the morning hours of January 11, 2010. According
to his wife, Nelly Zakirova, the 75-years-old bandleader suffered a
heart attack, which eventually led to his death.

George (Georgy) Garanian was born in Moscow on August 14, 1934. He
belonged to the 1950s jazz engineers generation a circle of musicians,
mostly graduate and postgraduate students at Moscow and Leningrad’s
technical and engineering universities, with no background in
classical music training, but with sheer admiration of the new,
post-WWII jazz styles. Their jazz education consisted of endless
careful transcriptions of American jazz stars’ solos using not the
original American records, which were not legally available behind
the Iron Curtain, but either taped transmissions from the Voice of
America (and its host Willis Conover, whose special English became
the source of English education for those enthusiasts,) or the jazz
on the bones records the self-made 78s cut on used X-ray film, with
somebody’s broken ribs in the background.

In 1958, Garanian became the first Soviet-born soloist accepted in
the famed Oleg Lundstrem Orchestra, the Shanghai-based swing band from
the 1930s which moved to its members’ distant homeland, Russia, after
WWII. In the 1960s, he worked in Moscow Radio’s Vadim Lyudvikovski Big
Band, where he showed a considerable passion for arranging the music.

In 1973, the new Soviet Television and Radio Committee Chairman, Sergey
Lapin, who hated Western music, fired the entire Radio Big Band and
got rid of all jazz in the Soviet TV and radio programming; Garanian,
and a few chosen instrumentalists from the former Lyudvikovski Big
Band, formed the core of the new studio band, Melodia, which worked
for the U.S.S.R’s only record label with the same name.

Garanian spent about fifteen years as Melodia’s director, arranging
music for the country’s leading pop singers and singing film stars,
and directing the Melodia Big Band for dance albums. He did not play
saxophone at that time, but, as director and conductor, made sure that
the orchestra, which consisted of the leading Soviet jazz soloists,
would record a few albums of his arrangements of jazz standards and
Garanian’s originals, mostly in the realm of light fusion (closer to
disco) sounds.

In post-Soviet Russia, Garanian became one of the busiest bandleaders:
in early 2000s, he would simultaneously direct up to four big bands in
several Russian cities, including renewed Melodia Big Band, Krasnodar
Municipal Big Band, and (from 2003 to 2006) the Oleg Lundstrem Big
Band. Garanian toured extensively, mostly with either of his multiple
big bands, performing jazz evergreens and/or Soviet song and movie
music classics in his own arrangements, very accessible to general
public. He resumed his alto sax playing after a 15-years break in
the early 1990s, but, obviously, never reached his own former level
as soloist, though at one stage (in mid-1990s) he also toured in a
piano-guitar-sax trio setting where he soloed a lot.

In 1999, Garanian conducted the Moscow Symphony Orchestra during the
Oregon’s Oregon in Moscow sessions. Produced by Pat Metheny Group’s
Steve Rodby, the album received a Grammy nomination, thus partly
making Garanian Russia’s first non-classical Grammy nominee.

Funeral arrangements were not yet announced by mid-day of January 11.

On the photo by Pavel Korbout: George Garanian conducts his Melodia
Big Band in Moscow on October 22, 2009