STILL DON’T KNOW HIM YOU DON’T KNOW JACK TRIES TOO HARD TO BE AN ISSUE MOVIE
Sam Thielman

World Magazine

Ap ril 23 2010

There’s really no excusing You Don’t Know Jack. Many non-Christians
believe that human life is more sacred than personal dignity, of
course. I certainly can’t sit in judgment on people in chronic pain
caused by incurable, fatal illnesses who commit suicide, because
I have no idea what that kind of suffering feels like. But Barry
Levinson’s Jack Kevorkian biopic is simply hagiography.

The HBO movie’s anti-euthanasia conservatives are two steps shy of
Jim Jones Kool-Aid-drinking cultists, the Michigan authorities who
prosecute Kevorkian’s suicide assistance are either insufferable prudes
or hypocrites, and Kevorkian himself (a magnetic Al Pacino, doing some
of his finest work in years) is merely an eccentric little old man.

We should be prepared to see Kevorkian as human, but cute?

The real Jack Kevorkian, over the course of killing more than 130
people, happened across many who were not fatally ill. Some, in fact,
were almost certainly mentally ill and could have lived long and
happy lives without the interference of someone whose idea of mercy
was to provide people at the nadir of depression with an IV full of
potassium chloride. And the patients weren’t the only disturbed folks:
Kevorkian himself is obsessed with death and the Armenian genocide
on his ancestors.

We have every reason to feel pity for Kevorkian–all of us have sinned
and are capable of the kinds of things that earned the hero of You
Don’t Know Jack the nickname "Dr. Death." But screenwriter Adam Mazer
wants to make an Issue Movie so much that he barely even alludes to
the complications of his hero’s life, and the result is a generic
fight-the-system movie that picks the wrong side of a very important
argument. No one who is currently taking questions on the subject knows
what it’s like to die, and if man is made in God’s image, anyone’s
suicide does profound, ungrateful violence to the very person of God.

Perhaps the most telling moment in the film comes near the end,
when a batty Christian calls Kevorkian "Godless." "I have a God,"
Kevorkian snips, "and his name is Johann Sebastian Bach." Bach had
a God, too, and His name was Jesus of Nazareth.

From: Emil Lazarian | Ararat NewsPress