Here, electric guitar and bass re-create the type of lines traditionally made by ancient strings, such as the oud and kanun, while arrangements for clarinets and brass transpose Indigenous woodwinds, including the double-reed apricot-wood horn called the duduk. While TmbaTa’s driving rhythms take their cues from rock, their melodies adhere to long-standing Armenian modal lines that occasionally echo Middle Eastern idioms. Similar to their more folkloric peers, such as Armenia’s Shoghaken Ensemble, TmbaTa’s repertoire mixes such upbeat tunes as “ZarZ’ng’” with quieter devotional pieces. 

In 2021 TmbaTa self-released Fantastic Komitas, titled in honor of Komitas Vardapet (born Soghomon Soghomonian), an Armenian priest and musicologist who collected thousands of folk songs in the late 19th and early 20th centuries. TmbaTa adapt a selection of those songs for this record, and their version of “Ampel a Kamar” (“Heaven Has Become Clouded in Arches”) features serene vocal harmonies over a slow, enthralling beat. If Komitas could time travel to the present, he might not quite recognize the tune in its modern, electrified state, but the orchestra’s spirit and dedication nonetheless embody what his work was all about.