‘Where Babel separated, visual art connects,’ says Syrian-Armenian artist Kevork Mourad, who launches his solo exhibition, Seeing Through Babel, at The Ismaili Centre, South Kensington, (London) this summer, The Resident reported.
In the Old Testament story of Babel, mankind is punished for attempting to construct a tower to heaven, an act of hubris that led God to create multiple languages to prevent such collusions happening again.
For this exhibition – running from 1 July until 15 August 2019, in partnership with the Aga Khan Museum in Toronto – Mourad explores the story of Babel, using visual imagery as a means to connect people across the language divide.
Making artworks in public is an integral part of Mourad’s practice, so as a prologue to the exhibition he will live create a six-metre hanging sculpture at the gallery between 21 June and 30 June, holding talks daily at 11.30am and 2.30pm.
The work, which uses the artist’s trademark techniques – monotypes and drawing onto the surface of the work – is designed to allow visitors to walk in and around it, allowing closer consideration of its themes.
‘I have often thought of this story, as it is said to be a moment that divided mankind,’ says Kevork, who was born in 1970 in Syria, studied in Aleppo, obtained his Masters of Fine Arts in Armenia and then moved to New York City to where he establish his practice. ‘I see it as a moment when diversity was created.’
Through visual language, his work ‘can connect people who speak different languages and come from different cultural backgrounds,’ he says.