It was only a few hours after landing at Armenia’s capital city of Yerevan does the irony of it all strike me. Mount Ararat, one the greatest symbols of Armenia (emblazoned on everything from bottles of brandy and beer to chocolate bars) isn’t even located in the Armenian territory. In fact, it can be found just over the border, in present-day Turkey.
As I stroll through leafy Yerevan, with its Parisian-style boulevards and drinking water fountains called pul pulaks at every corner, I soon realise that for the former USSR country, symbolism is everything. How else does one explain the continued presence of a five-point Soviet star atop the main spire of the city’s Central Railway Station? A likeness of Mount Ararat below the said star is perhaps why the station still uses the Soviet coat of arms.
Reclaiming glory
Speaking of which, Yerevan’s grand Republic Square was once known as Lenin Square with a giant, mid-stride statue of Vladimir Lenin that was taken down post Armenia’s independence in the autumn of 1991. Today, the square is surrounded by grand architectural examples of Soviet modernism. The brutalist façades in the indigenous pink volcanic stone called tuff gives Yerevan its ‘Pink City’ moniker.
At another popular attraction — the hilltop Victory Park overlooking Yerevan — another former Soviet leader has been dethroned.Replacing Joseph Stalin’s monumental statue and seated at the same pedestal is the sword-brandishing, 22-m tall Mother Armenia made from hammered copper. Here, too, symbolism is on display. The statue is said to not only show peace through strength, but also mirror the role of prominent female figures who joined the men in fending off Turkish troops during the 1915 Armenian genocide.
Joining a group of the Yerevan Couchsurfing chapter on a post-beer walkabout the city, I learn about how in 2010 a Facebook group called “SAVE Cinema Moscow Open-Air Hall”, successfully petitioned the Armenian government to stall the demolition of the open-air hall of the Moscow Cinema on the city’s arterial Abovyan Street. Built in 1936 in the constructivist-style, a form of modern Soviet architecture, the cinema itself replaced the 5th-century St Peter and Paul Church. It remains one of the city’s premier recreational spots with its giant chessboard set shadowed by Armenian artist Ara Alekyan’s gigantic sculpture of a spider.
Parting shots
We walk towards the Republic Square Metro Station, where I notice how well the Soviet style of almost harsh, geometric accents is merged with the more oriental features of the station. The entrance has a decorative fountain of an eight-petal concrete flower in bloom, with a huge vaulted ceiling held up by plain columns with sculpted eaves in the shape of bird heads.
From Republic Square we take a metro train ride (100 dram or ₹15) to Charbak a few kilometres away to get the real feel of Soviet suburban Yerevan with its many ‘Khrushchyovkas’. Developed all over the Soviet Union during the early ’60s, these concrete-panelled apartment buildings were named after Soviet statesman Nikita Khrushchev and provided low-cost housing in a gargantuan communal setting.
It is from the terrace of one of these 15-storey (and elevator-bereft!) buildings that I spy the ultimate remnant of the Soviet past a few yards away, eerily backlit by the setting sun. Constructed in such a way that they spell out the alphabets CCCP (which is ‘USSR’ in the Cyrillic script) when seen from above, I’m told that they were built so that the Soviets could feel patriotic as they flew in from Moscow.
Truly, one man’s Mount Ararat is another’s Khrushchyovka.
Raul Dias is a food and travel writer based in Mumbai
