Film Review: ‘Amerikatsi’ Review: A Prisoner in His Homeland

In the late 1940s, the Soviet Union invited Armenians living abroad to resettle in Soviet Armenia. In “Amerikatsi,” the actor-director Michael Goorjian imagines one such journey and finds an unusual way to express the aching urge to reconnect with one’s roots.

Goorjian plays Charlie, a naïve, bumbling American who returns to Armenia years after being spirited away as a boy during the genocide. Despite befriending a Soviet official’s wife (Nelli Uvarova), he gets thrown in jail as a suspicious interloper. Charlie languishes behind prison walls, and is mocked and beaten by guards. As awful as that sounds, the film’s tone stays on the light side, even hokey, warmed by Charlie’s hopes.

Charlie finds an escape from despair by gazing into an apartment visible from his barred windows. He realizes that the man he’s watching, a bearish, temperamental painter named Tigran (Hovik Keuchkerian), is a guard in the prison’s watchtower and turns out to be Armenian. So Charlie takes to eating his meager meals at his window, following along with Tigran’s marital woes, dinner toasts, and attempts at painting.

The setup eloquently symbolizes the predicament of many who, like Charlie, left their homelands very young. His heart beats Armenian even if he speaks English, yet a nagging distance wards off total belonging. But he schemes indirect ways to communicate with the guard and finds a kindred spirit.

It’s an intriguing scenario, though not always played out skillfully. For better and worse, we feel Charlie’s confinement fully, as he watches another’s life go by and yearns for a proper home of his own.

Amerikatsi
Not rated. In Armenian, English and Russian, with subtitles. Running time: 1 hour 55 minutes. In theaters.