Employees of hardest-hit businesses in Armenia will receive direct financial assistance

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 13:50,

YEREVAN, MARCH 30, ARMENPRESS. As part of a relief package aimed at eliminating the economic consequences of the coronavirus outbreak, the government of Armenia has announced it will provide direct financial assistance to employees of the hardest-hit areas.

Deputy PM Mher Grigoryan said the employees of hotels, restaurants, tourism sector, retail trade and services will receive assistance payments in the size of an average salary. He said this relief package does not cover retail trade of food, liquor, tobacco or medication.

Self-employed people will also receive the assistance payments.

Prime Minister Nikol Pashinyan added: “It is very important to say that we are assisting the employees, the employees themselves will receive the money, not their employers”. He said the assistance will be formalized as benefits, in order not to charge taxes.

Barbershops and non-food retail trade is the target group of this assistance, with the number of beneficiaries exceeding 100,000. The program’s budget will exceed 10 billion drams.

Employees can apply for the assistance at www.online.ssa.am.

 

Edited and translated by Stepan Kocharyan




CIVILNET.Government Moves to Track Down Contacts of COVID-19 Patients

CIVILNET.AM

21:36 
Two more died of COVID-19, with a further 58 cases confirmed. Georgia and Russia will provide Armenian freight with a “Green Zone.” Karabakh’s Elections will take place on March 31 despite the risk of coronavirus. The government passed a bill allowing it to access citizens’ phone data to track down contacts of COVID-19 patients. And Armenian banks have agreed to suspend loan repayments for some families and businesses.
 

Asbarez: An Appeal to all Armenians


Armenian Revolutionary Federation

These days, everyone around the world is impacted by the crisis touched off by the Coronoavirus. This pandemic is serious and continues its unabated spread, infecting many and claiming significant casualties.

Naturally, our nation and our homeland are also experiencing this disaster. The large family of the Armenian Revolutionary Federation, with all its entities, rank and file, Hai-Tahd offices, committee, youth and students structures and affiliate organizations—ARS, Hamazkayin, Homenetmen—as well as supporters with their institutions and circles, places all its abilities in service of our people, especially Armenia and Artsakh, with a resolve to provide the optimum assistance.

Thus, we call on all our structures in different communities to make a special effort to serve our people and assist especially the less protected and endangered sectors, regardless of they ideological or denominational affiliation. To this end, certain project have already been initiated in several communities. These efforts will expand more vigorously.

Furthermore, in collaboration with the ARS, we have already provided hundreds of thousands dollars worth assistance to Armenia and Artsakh and will continue to provide the essentials. To this end, we are in contact with the relevant bodies in both republics. Thus, we call on everyone to take part, with pan-Armenian support, in the efforts put forth by the government of the Republic of Armenia to prevent and contain the Coronavirus.

Dear Compatriots,
The current situation call for the coalescing of our national efforts and unity, discipline and strength so that we can confront the dangers facing our homeland and our people. We are confident that by coming together we can circumvent this situation as well. We would like to assure everyone that we are monitoring the situation and its layers closely, and would like to once again stress that we will place our entire capabilities at the service of our people.

ARF Bureau




Deputy PM Avinyan proposes President Sarkissian to grant Armenian citizenship to 1698 people

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 11:36, 11 March, 2020

YEREVAN, MARCH 11, ARMENPRESS. Deputy Prime Minister of Armenia Tigran Avinyan has applied to President Armen Sarkissian with the proposal to grant Armenian citizenship to 1698 people.

“Based on the Law on Citizenship of the Republic of Armenia yesterday I submitted a proposal to President Armen Sarkissian to grant Armenian citizenship to 1698 people. The fact that so many people wish to become a citizen of Armenia, thus by becoming a part of the Armenian statehood, inspires and gives additional strength to us to carry out our job with a great responsibility and effort”, the deputy PM said on Facebook.

Edited and translated by Aneta Harutyunyan




Asbarez: Shifty Shaffer… Smithsonian, too?

Garen Yegparian

BY GAREN YEGPARIAN

Let’s discuss propaganda today through two examples. One is modern, somewhat subtle, but practiced by a known lackey. The other is a rehash, much cruder in its form, and brought to us from a surprising source.

Brenda Shaffer (along with Svante E. Cornell, perhaps included to lend more legitimacy to the piece, you’ll see why as you read on) wrote “The United States Needs to Declare War on Proxies” in “Foreign Policy” last week. If her name rings a bell, it’s because she’s one of Baku’s hacks, made to look respectable under cover of a Ph.D. and because “She specializes on energy in international relations and energy policy in the Caspian region and has written or edited several books of these topics” according to her Wikipedia entry. She was called out by The New York Times when she wrote an op-ed piece about Artsakh for that publication and did not reveal her connection to Azeri government figures. It was so egregioius that even Radio Free Europe/Radio Liberty reported on the incident

This time, the article in question begins innocuously enough (from an Armenian/Artsakh perspective). She starts out discussing the assassination of Iranian general Soleimani and how it was a good thing because it sent a message from the U.S. to Iran that killings of Americans through proxy forces would no longer be tolerated. But from this, she quickly jumps to the establishment of “proxy regimes” by Russia “most prominently” somehow disregarding the fact that Solemani was operating in Iraq and Syria, extensively against ISIS/Daesh. How that’s a “proxy” is one mystery. The bigger mystery remains her leap from that, to the establishment of what, to paraphrase Shaffer, are proxy/puppet states set up so that the puppet-master can avoid the international stigma and repercussions of invading and occupying another country’s territory.

It gets even better as we read on. Somehow, the “most prominent” user of the technique she describes gets less attention than the Republic of Armenia whose relationship with the Republic of Artsakh is presented as the same as the ones Russia has with the small states it recognizes in Goergia and Ukraine. Let’s not omit the fact that Shaffer cites no other examples of this “proxy” arrangement despite referring to it as an increasingly common practice. It’s obvious this is yet another hit piece targeting Artsakh, the RoA, and our Diaspora by an operative of the Aliyev regime.

Please read the article yourself if you’re unconvinced. Either way, write the editors of “Foreign Policy” and urge them not to lend credibility through their paes to people who are clearly functioning as proxies for governments, especially ones with as horrible a track record of persecution and human rights abuses as that of Azerbaijan.

The second example is, in some ways, even worse than Shaffer in that it is internal, a self-inflicted propaganda wound. On March 1, the Smithsonian Institution screened an old, 1938 vintage, Soviet propaganda film, Zangezur, claiming it “chronicles Armenia’s civil war in the 1920s, depicting the Bolsheviks’ efforts in the mountainous Zangezur region to defeat the Dashnaks, the counterrevolutionary rulers of the area.” It depicts Karekin Nzhdeh as a sniveling coward. This is the same Nzhdeh, known for his bravery, who was instrumental in retaining Zankezoor as part of (ultimately) Soviet Armenia! And who organized the Armenian Youth Federation. And who was treacherously captured by the Soviets and died in one of their prisons

I suppose this would have been OK if the film was shown in the context of Soviet propaganda. It is not. Instead we are told “Zangezur was a trendsetter for Armenian revolutionary drama, and the soundtrack by Aram Khachaturian features folkloric songs, a march, and two beautifully lyrical interludes.” We are also told “Known as the father of Armenian cinema, Hamo Bek-Nazaryan (1892–1965) stands with Eisenstein, Pudovkin, and Dovzhenko in the history of cinema. A popular actor in pre-Revolutionary Russian film, he was also a founder of the Hayfilm (Armenfilm) studio in Yerevan.” No mention whatsoever of the film’s original intent is made.

And here’s the kicker – it was tagged as being supported by the embassy of the RoA! Have these people no sense of public relations? Why would they endorse something that undercuts a key figure in the very existence of the state they represent? The state that regained its independence from the very authorities that made the propaganda film… Plus, given recent efforts to demonize Nzhdeh by Azerbaijan, something like this plays right into Baku’s hands.

I realize Yerevan is in no position to fund public relations activities in the same lavish manner as Azerbaijan and Turkey do. But the ANCA in Washington is a good source of advice on this front. The embassy should use it and other similar resources to avoid gaffes such as supporting the screening of this film.

Please, contact the embassy and express your dismay and displeasure about this episode and request they be more astute in the future.

Generally, be on the alert for propaganda attacks against us and inform our advocacy organizations and media if you do discover any. That’s how the most successful groups in the U.S. keep their concerns and issues at the forefront of the country’s agenda.

Artsakh’s President receives Armenia’s Central Bank chief

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 13:04, 3 March, 2020

STEPANAKERT, MARCH 3, ARMENPRESS. President of Artsakh Bako Sahakyan received today President of the Central Bank of Armenia Artur Javadyan, the Presidential Office told Armenpress.

Various issues relating to the cooperation of Armenia and Artsakh in the banking sector were discussed.

The meeting was also attended by Artsakh’s State Minister Grigory Martirosyan and other officials.

Edited and translated by Aneta Harutyunyan




CIVILNET.Lives and Struggles Through the Lens

CIVILNET.AM

5 March, 2020 15:00

By Mari Sahakyan 

Cover photo by Nelli Shishmanyan

By taking us straight to the construction site, showing us the village life in Chinari, a town in Tavush province in Armenia,  or even lifting the red curtains of the theatre stage, 4Plus, an Armenian photo-story media platform, allows the viewer to merge themself and live through different stories. All of these small stories, in turn, provide a deeper glance into the wider issues of labor rights, minority rights, and women’s issues. 

In 2012, when Armenian  photojournalists Nazik Armenakyan, Anahit Hayrapetyan and Anush Bababjanyan launched 4Plus, there were very few platforms where their work could be displayed. This prompted them to create this space which would embrace the photo-stories format and serve as an alternative to conventional news media. Until today, 4Plus remains a pioneer in the field of documentary story-telling in Armenia.  

With the goal of empowering women and minority groups whose rights are being violated, 4Plusis committed to documenting social issues and violations of human rights. 

“A story can be recounted in countless ways, however our approach is to concentrate on the individual,” notes Piruza Khalapyan, one of the board members of the platform. 

Instead of showing disheartening statistics or overwhelming the reader with details, 4Plus presents issues through personal stories. 

“We photograph stories about social themes that people overlook,” elaborates Nazik,  “Everyone and everything deserves to be photographed.” 

The team is not afraid to publish about provocative and controversial topics that have been visually underrepresented in the mainstream Armenia media. Although some of these topics are not easily accepted by the audience, and the response is not always positive, Nazik explains. 

However,  their work nonetheless contributes to the creation of a discourse on these topics. “At least people start to talk about them.” 

A big focus of the website is women and their role in society. The project “Persona” combines six different stories, each of which focuses on one woman, her daily life and the issues she confronts. 

“It also helps to shift the audience perceptions about these women,” mentions Nazik. 

4Plus also released a short film called “An Armenian Must,” which grapples with questions about Armenian identity, specifically focusing on Armenian youth who live in Georgia. The film explores how Georgian-Armenians identify themselves as Armenian and what were the societal “musts” they believed they should adhere to. 

The team admits that editing and photographing all these stories can be arduous. In each story, the photographer spends weeks shooting, then revisiting and reshooting. 

“We discuss the stories with our team meticulously, making sure that every picture has an emotional aspect to it and is powerful enough to tell a story,” explains Piruza. 

4Plus also organizes workshops on documentary photography in different regions of Armenia, including Vanadzor, Gyumri, Kapan and Stepanakert. As Piruza mentions, many of the young photographers are interested but do not have the skills of a documentary photographer or filmmaker. There are not many institutions in Armenia that teach and train on those subjects.

“One of our future plans is to open a photography school, where Armenian youth can get a quality education,” says Nazik. 

Both Nazik and Piruza graduated from the Caucasus Institute’s program on Documentary photography organized by WordPress in Armenia, and they explain that the education they got there is missing in Armenia. 

“I always say that photography is about communication,” says Nazik, “We want to teach our youth that what is important is their ability to listen to people, to become intimate with them and only in the end, to take a picture.” 

This principle is clear in their work, as all of their photo-stories demonstrate a deep connection with the people they present. By viewing these individuals more personally, and showing a fuller picture of their life and not just the very darkest aspects, a deeper understanding of the social issues can be attained and the themes that 4Plus explores can be better unraveled and presented to the general public. 

Asbarez: Yerevan Biennial Art Foundation: Bridging the Gap between Art, Culture, and Education

February 28,  2020

Yerevan Biennial Art Foundation logo

BY ALEEN ARSLANIAN

Fabio Lenzi and Nina Hovnanian were recently in Los Angeles to promote the inaugural 2020 Yerevan Biennial, Armenia’s first contemporary art biennial. An initiative of the newly established Yerevan Biennial Art Foundation, the Yerevan Biennial will run from September 24 to December 31, and will take place across Yerevan.

Co-founded by Fabio Lenzi and the Hovnanian International founding family, the Yerevan Biennial Art Foundation aims to ignite hope, enthusiasm, and initiative in the youth of Armenia through art, culture, and education. The Foundation currently has a number of international experts with biennial experience on staff, and Board Members from Yerevan, New York, Italy, and Los Angeles. By the end of the hiring process, the YBAF will have 12 to 15 staff members. A series of teams will also be hired per project.

The aim of the Biennial is to engage as many art and cultural centers in Yerevan as possible. The Foundation will select several locations in the center of Yerevan, where participants and attendees will have the opportunity to absorb Armenian culture through various means of art. International Curator Lorenzo Fusi will curate an exhibition where local and international artists will be invited to participate. The biennial will also feature a number of self-initiatives, from theatre, opera, concerts, and more, that the Foundation will collaborate with.

Lenzi and the Hovnanian International founding family are currently promoting the Yerevan Biennial across the globe, with the first announcement taking place at the Consulate General of Armenia in Los Angeles. The 2020 Yerevan Biennial team has plans to announce the Biennial in Paris, London, New York, and South Africa in the coming months.

Before heading back to Armenia, co-founder of YBAF Fabio Lenzi, an Italian native, met with Asbarez to further discuss the Foundation’s mission to create bridges through art, culture, and education.

Aleen Arslanian: Can you tell us a bit about yourself – how you ended up in Armenia, and what prompted the creation of the YBAF?

Fabio Lenzi: I studied economics and ended up in Armenia in 2013 for a report for “Foreign Affairs Magazine.” After that, I left the country and came back several times. In January 2016, I opened a consulting firm in Armenia. In early 2018, through the business consulting company, we decided to start this endeavor in the cultural and artistic fields, which led us to organize the largest contemporary art exhibition ever done in the region. We learned a lot about the gaps in the market, the gaps in the infrastructure, and what was needed in order to raise the standards in this field in Armenia. That was our trial, with the vision to one day organize the Biennial.

Fabio Lenzi

The YBAF was incorporated in December 2019, after a full year of trying to figure out if I would want to continue this journey. I approached the Hovnanian International founding family and they liked the idea – we share the same vision. Ultimately, our vision is to have Armenia become a strong hub in the region for art and culture. We want to have people look at Armenia as a tourist destination; not only for religious tourism, but to actually enjoy Armenia as country in its fullest – the food, religion, art, culture, and music.

A.A.: Will the YBAF be collaborating with any organizations?

F.L.: As a foundation, we are trying to create ties with all the major, currently existing cultural centers and creative institutions in Armenia. We have spoken to TUMO center, we have already cooperated with Children of Armenia Fund, and we have a standing agreement with the American University of Armenia. We plan on taking part in the Art Fair in Yerevan this summer, and, to go even a bit further, taking part in the Tibilisi Art Fair. The idea is to work with whoever is willing to collaborate with us, as cooperation is the most important aspect.

A.A.: Are Yerevan-based artists currently involved in the Foundation?

F.L.: We have an Art Advisory Board, which is comprised of five local, Armenia-based art experts. These Board members are local experts in the fields of art and culture. They will help steer the foundation in the right direction when certain decisions need to be made – in terms of what is necessary for Armenia – and to make sure that the decisions made are not something I myself, as a foreigner, or the other international experts, want to mandate. Instead, it’s something that we need to decide together, understanding what it is that the country actually needs, and our advisory board, better than anybody else, can support us in that.

A.A.: What activities will the Foundation be involved in throughout the year?

F.L.: As of now, we are creating our strategic plan. We have a pretty clear idea of what will be the main focus of the Foundation. One main focus is education and the other main focus is art and culture. But, as our Head of Exhibitions & Production Raj Sandu loves to say, “We are looking at education through the lens of creativity.” So, everything that we are getting involved in, in education, will be within the art and cultural fields. Although the Biennial will be a big chunk of the Foundation’s activities – which will take place every two years.

A.A.: Whose art will the Biennial feature?

F.L.: The biennial will feature up to 40 artists. It’s an international exhibition, so the artists will be coming from a variety of countries. Among these participants there will also be Armenians from the Diaspora, and there will be a percentage of local Armenian artists, as well. Although our curated exhibition will probably have about 10 to 15 percent of Armenia-based artists, the whole Biennial will be full of Armenian art, because all of these other self-organized initiatives are initiated by the local cultural artists and institutes. That’s where we need them to begin their own initiatives.

A.A.: Can you tell me a bit about Latitude?

F.L.: Latitude is an art space that was opened in November 2019. It’s an asset of the Foundation. Latitude is 400 sqm art space which we have envisioned as a nonprofit space, which means that everything that is done inside Latitude will directly and indirectly benefit the Foundation. If we decide to do an exhibition at Latitude and there’s something for sale, the profits from that sale will be donated to the Foundation. If we organize a paid workshop, we will use the money to organize a second workshop, but for kids from a school that cannot afford that workshop. We always try to use the space thinking about a secondary social program. This space will also be used for all the educational programs that we organize. There are some aspects of the educational programs that might need a physical space where you want to, for example, learn how to handle artwork. These portions of the workshop will be held at Latitude. It’s a very flexible space. We are now working on organizing evening classes for meditation, art therapy, yoga, English lessons, and more. It’s a self-sustainable space that we welcome everyone to join and share their ideas and creativity with.

A.A.: Will the Foundation create job opportunities for local Armenians?

F.L.: Yes. We have a part of the team that is international, because we’re trying to bring in as much expertise as possible. The purpose of bringing these experts in is to train – to shift this know-how to –local Armenians, to eventually have more local Armenians on the team. In several educational programs that we are organizing, we are already envisioning of hiring a number of the students that will be participating in these programs. It will also create opportunities in the regions outside of Yerevan, because the aim of our programs is to reach out to students and young professionals from the regions, work with them, and send them back with a higher level of knowledge. We hope to create exchange programs for local Armenians to travel outside of the country and partner with international galleries, artists, museums, and various international cultural centers. The foundation absolutely aims at creating opportunities for Armenian natives.

To learn more about the Yerevan Biennial Art Foundation and the 2020 Yerevan Biennial, visit the Foundation’s website, or Twitter and Instagram pages. To donate to the Foundation, please email [email protected].

PM Pashinyan invites citizens to participate in procession dedicated to March 1 victims

 

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 19:50,

YEREVAN, FEBRUARY 24, ARMENPRESS.  Prime Minister of Armenia Nikol Pashinyan invites people to participate in the procession dedicated to the victims of March 1, 2008 incident, ARMENPRESS reports Pashinyan wrote on his Facebook page.

“Dear compatriots, we invite all of you to participate in the procession dedicated to the victims of March 1, 2008 incident on Sunday, March 1 a 18:00. The procession will kick off from Yerevan’s  Republican Square and will move to Myasnikyan Statue”, Pashinyan wrote.

10 people were killed during the developments of March 1-2, 2008.

Edited and translated by Tigran Sirekanyan