Des réverbère à la mémoire des Arméniens

Tribune de Genève, Suisse
12 avril 2018


Des réverbère à la mémoire des Arméniens

 
Leurs gracieuses verticalités adressent un poème silencieux aux promeneurs du parc Trembley. Individuellement, ils possèdent la dignité paisible du solitaire, mais évoquent, ensemble, une communion de destin. Ces neuf «Réverbères de la mémoire» ont été imaginés par l’artiste français Melik Ohanian en hommage aux victimes du génocide arménien de 1915. L’œuvre témoigne aussi des «liens privilégiés des Genevois et des Arméniens», ainsi que des «fragments de leur histoire partagée depuis la fin du XIXe siècle». Elle sera inaugurée ce soir par les autorités de la Ville, en présence de Charles Aznavour.

L’aboutissement d’un projet marqué par les atermoiements au vu de la sensibilité politique de son thème. Il y a huit ans, un rêve né en 2004 au sein de la communauté arménienne se concrétise avec le lancement, par le Fonds d’art contemporain de la Ville (FMAC), d’un concours. Retenue à l’unanimité, la proposition de Melik Ohanian est d’abord conçue pour s’implanter sur le bastion Saint-Antoine, puis dans les jardins de l’Ariana, proches de l’ONU, au grand mécontentement des Turcs de Suisse. En 2015, une intervention du Département fédéral des affaires étrangères empêche la délivrance d’une autorisation de construire. C’est finalement dans le parc Trembley que peut s’ériger le memorial.

L’idée des réverbères germe dans l’esprit de leur créateur à New York. Il y rencontre un lampadaire «un peu esseulé» mais «étrangement rassurant». Cet objet urbain fort banal évoque en lui une «vision d’exil»: «Dans chaque ailleurs, il y a un besoin de se rattacher à un élément de la ville, écrit-il. Un besoin de produire de la familiarité pour se sentir moins étranger.» Afin de suggérer la diaspora, l’artiste décline ses réverbères en neuf variantes. Et, en signe de partage, les dépouille de leur fonction d’éclairer pour conférer à leurs larmes de chrome celle de refléter le monde.

Les Réverbères de la mémoire Inauguration le vendredi 13 avril à 18 h au parc Trembley (TDG)


Film: French film about the Armenian Genocide starring Gerard Darmon and Samy Naceri

Panorama, Armenia
April 3 2018
Society 13:14 03/04/2018 Armenia

Director Artak Igityan is at the moment shooting the film "Anatolian History" in France, which is based on the novel "Where wild roses blossom: Anatolian history" by Mark Aren (born Karen Margaryan). The composer of the film is a French musical composer Michel Legrand, Allinnet.info reports.

"Anatolian History" stars such renowned French actors as Samy Naceri (known for his main role in the French comedy franchise "Taxi"), Gerard Darmon, and Hermine Stepanyan in the leading female role. Stepanyan shared her yet scarce experience of working with the director:

"I met director Artak Igityan during the premiere of the film ''Dawn of the Van sea'. We didn't manage to chat too much, I only congratulated him and left. Two years later, we met again at the "Moscow" cinema in Yerevan at the premiere of another film. This time, Igityan was with his wife Anna. I approached them and said that I loved the film. Artak's wife looked at me and said: 'Artak, she is an excellent character.' Thus, began a conversation about the film, as well as some other topics, Stepanyan recalled.

"Of course, I have seen films starring Darmon and Naceri, and after I realized that we will be playing in the same film, I began to watch their every single movie and read their interviews to learn more about them. During the shooting, I will get acquainted with them better because of easier direct communication," said Stepanyan, and then added that the shooting is planned for 2018.

The shooting of the film will start in 2018.

Sports: Wenger gets boost as Arsenal sink Watford

Daily Nation, Kenya

Sunday

Arsenal's Armenian midfielder Henrikh Mkhitaryan (left) celebrates with Gabonese striker Pierre-Emerick Aubameyang after scoring their third goal during their English Premier League match against Watford at the Emirates Stadium in London on . PHOTO | BEN STANSALL |  AFP

LONDON

Arsene Wenger received a welcome boost as Arsenal eased a little of the pressure on their beleaguered boss with a 3-0 win over Watford on Sunday.

After a wretched run left Wenger fighting to save his job, a 2-0 win at AC Milan in the Europa League on Thursday offered the Frenchman temporary respite from the torrent of abuse he has endured this season.

Maintaining the momentum from that last-16 victory in the San Siro, Wenger's side ended a run of three successive Premier League defeats with a solid display at the Emirates Stadium.

Shkodran Mustafi's early opener and a cool finish from Pierre-Emerick Aubameyang put them in control.

In a moment of sweet vindication, Watford captain Troy Deeney, who had questioned Arsenal's spirit earlier this season, had a second-half penalty saved by Petr Cech.

Henrikh Mkhitaryan's strike wrapped up the points, but there was concern for Wenger as Mustafi limped off in the closing stages.

Arsenal, who had lost eight of their previous 14 matches in all competitions, remain in sixth place and trail fourth-placed Tottenham by 10 points ahead of their rivals' trip to Bournemouth later on Sunday.

Winning the Europa League guarantees qualification for next season's Champions League and, with Arsenal's hopes of achieving that goal via a top-four finish looking bleak, it was no surprise Wenger prioritised the continental competition.

With the second leg against Milan looming on Thursday, Wenger rested Aaron Ramsey and Laurent Koscielny and left Jack Wilshere on the bench.

Aubameyang was one of the established stars who started for Arsenal and the Gabon striker should have opened the scoring when he raced onto Mesut Ozil's pass and shot straight at Watford goalkeeper Orestis Karnezis.

For the second successive home game, a significant amount of seats were empty as fans stayed away in protest at Wenger's woes.

The subdued atmosphere lent an 'end of an era' feel to the match, but it didn't bother Arsenal, who had a point to prove to Watford captain Deeney.

Deeney had infuriated Arsenal by accusing them of a lack of "cojones" after Watford beat Wenger's men in October.

Fuelled by that jibe, Arsenal took the lead in the eighth minute.

When Ozil swung a deep free-kick towards the far post, Mustafi punished slack marking by Jose Holebas and Adrian Mariappa as the German defender powered a close-range header past Karnezis.

RARE SMILE

Watford weren't fazed and Abdoulaye Doucoure's low strike deflected off Mustafi to force a good save from Cech.

Cech alertly kept out Richarlison's dipping free-kick, but Roberto Pereyra should have done better than blaze the rebound over.

Ozil was equally profligate when he weaved through on goal, only to clip his shot too close to Karnezis.

There was less assurance about Arsenal towards the end of the half and Cech had to plunge to his left to save Richarlison's header.

But Watford couldn't take advantage and Granit Xhaka's 20-yard blast after the interval almost deceived Karnezis before he grabbed the ball just before it crossed the line.

With the momentum back in their favour, Aubameyang doubled Arsenal's lead in the 59th minute.

Mkhitaryan was the catalyst, slipping a pass to Aubameyang, who beat the Watford offside trap and rounded Karnezis before slotting in his third goal since his club-record move from Borussia Dortmund in January.

There was more cause for Wenger to wear a rare smile a few minutes later.

Ainsley Maitland-Niles conceded a penalty with a foul on Pereyra, but when Deeney stepped up to take the spot-kick, Cech made a fine save that preserved his 200th clean sheet in the Premier League.

Mkhitaryan bagged his second goal in successive matches with a low strike that crept under Karnezis in the 77th minute.

70 intellectuels arméniens de Turquie « exigent » l’élection d’un nouveau patriarche

La Croix– France
1 mars 2018


Do not be annoyed, Mr. Hakobyan – Arpine Hovhannisyan

Today, the National Assembly discussed the bill on making amendments and addenda to the Law on Social Guarantees of State Officials.

Hakob Hakobyan, Chairwoman of the RA National Assembly Standing Committee on Health and Social Affairs, mentioned that the amendments were made to ensure the generations’ change.

According to these amendments, people will receive a pension after their retirement age, if they do not work in the system.

Republican MP Khosrov Harutyunyan and MP of Yelk (Way out) faction Artak Zeynalyan noted that the bill is unconstitutional and thus deprives a person of the right to a pension.

Hakob Hakobyan opposed saying that people are not deprived of the right to a pension. The pension will be provided in case of leaving work. According to him, this is done so that the state system does not become group of old people.

Vice Speaker of the National Assembly Arpine Hovhannisyan intervened the discussion.

“Do not be annoyed, Mr. Hakobyan.”

Sports: Seven boxers to represent Armenia at Strandja tournament

Panorama, Armenia
Feb 19 2018

The Armenian national boxing team headed by assistant coach Vahan Adilkhanyan has left for Bulgaria to take part in the 69th International Boxing Tournament Strandja taking place in Sofia from 19 to 25 February. 

Armenia will be represented by 7 boxers at Stranja tournament – Artur Hovhannisyan (49kg), Vahe Badalyan (52kg), Zhirayr Sargsyan (56kg), Hrayr Shahverdyan (60kg), Gurgen Madoyan (69kg), Hambardzum Hakobyan (75kg), and Gurgen Hovhannisyan (91kg), the National Olympic Committee reported citing the Boxing Federation of Armenia.

A total of 300 boxers from 34 countries will participate in the tournament.

Art: Famous North Dakota artist was known by two different names

In Forum
Feb 18 2018
 
 
Famous North Dakota artist was known by two different names
 
By Curtis Eriksmoen / Special to The Forum Today at 9:17 a.m.
 
It is very possible that someone has two valuable, signed works of art hanging on their walls that were done by an artist from North Dakota. One is a photograph and the other one is either an etching or a water color. What makes this interesting is that the two signatures are different. Levon West used his own name when he signed his etchings and water colors and used the name Ivan Dmitri when he signed his photographs.
 
West first gained widespread recognition May 29, 1927, when his etching of Charles Lindbergh's airplane, the Spirit of St. Louis, appeared on the front page of The New York Times. The next day, West was contacted by New York's Kennedy Galleries inquiring about his work, which they soon started exhibiting, and he became well-known among art enthusiasts within a short period of time. Not only was West a talented etcher, but he was also a master artist with watercolors. However, West, or should I say Dmitri, is most famous for his photographs.
 
Levon Fairchild Assadoorian was born on Feb. 3, 1900, in Centerville, S.D., to Avedis and Henrietta (West) Assadoorian. Avedis immigrated from the Armenian region of Turkey in 1890 to study theology at Oberlin College in Ohio, and he planned to return home to Turkey after he became an ordained minister. However, at the time of his ordination, he was encouraged by his family to stay in the U.S. because of safety issues. Between 1894 and 1896, Turkish military officials, soldiers and ordinary men sacked Armenian villages and cities and massacred their citizens. Hundreds of thousands of Armenians were murdered. Assadoorian heeded his family's advice and accepted a pastoral position in Centerville.
 
In 1892, Assadoorian married Henrietta West, an active member of the Congregational Church. Levon appears to have inherited much of his artistic ability from his mother because one of her relatives was Benjamin West, known as "the first American artist to gain an international reputation."
 
In 1914, Assadoorian accepted the pastoral calling of the Congregational Church in Glen Ullin, N.D. Levon excelled in high school and graduated in 1918 as valedictorian, which is remarkable considering what must have preoccupied his mind much the time. In 1914, Turkey entered WW I on the side of Germany and the Austro-Hungarian Empire. In 1915, Turkey's Muslim authorities declared jihad, or holy war, against all Christians except their allies. The military leaders began to argue that the Armenians (who were largely Christian) were traitors. About 2 million Armenians lived in Turkey in 1914, and when the genocide was over in the early 1920s, some 1.5 million of Turkey's Armenians were dead. Among them were Levon's grandfather and four of his aunts.
 
Following graduation in 1918, Levon and his oldest brother decided to enlist in the military. However, they did not want to do so under the Armenian name of Assadoorian, so the entire family decided to change their name to West. When the family moved to Harvey later that year, Levon went to the recruiting center in Fessenden and enlisted in the U.S. Navy. On Nov. 18, he was summoned to report to the navy recruitment office in Minneapolis. However, the war was essentially over because Germany had agreed to stop fighting when they signed the Armistice of Compiègne one week earlier, and Levon was discharged on Dec. 20.
 
In 1920, Levon West enrolled at the University of Minnesota, where he majored in business and economics. However, his primary passion was art, and he served as president of Pi Alpha, the art honorary society at the university.
 
According to a 2005 Forum story by Andrea Halgrimson, West established a studio in Minneapolis after graduating in 1924. At his studio, he met a book salesman from New York who showed him a copy of Masters of Etching, and that sparked his fascination with the (etching) process.
 
In etching, the artist creates a design in reverse on a zinc or copper plate that is covered with an emulsion/grease. After the design is drawn, the plate is placed in a diluted bath of nitric acid. The remaining emulsion is then removed and the artist applies ink to the plate. Next, a moistened piece of paper is laid upon the plate and the two are literally pressed together using an etching press. The paper is then removed, and this becomes the artist's proof. It was through his etchings that West originally gained a national reputation. We will continue our story about this remarkably talented artist next week.
 

Russia to develop cooperation with Armenia – Duma speaker

Interfax - Russia & CIS General Newswire
 Wednesday 4:19 PM MSK


Russia to develop cooperation with Armenia - Duma speaker

MOSCOW. Feb 14

The development of a strategic partnership between Armenia and Russia
requires new forms of cooperation, including in the parliamentary
sector, State Duma Speaker Vyacheslav Volodin said at the opening of
an exhibition dedicated to Armenia at the State Duma on Wednesday.

"It is very important for us as part of the parliamentary dimension to
create conditions which will ensure the continuation of this
development in the future, as well. We would like to point out that
Armenia is a strategic partner for us, and we, in turn, will proceed
to new forms of cooperation and the development of relations which
will make it possible for us to get even closer, enable us to continue
carrying out strategic tasks together, collectively, taking into
consideration that the ongoing dialogue between our states is based on
friendship, cooperation, and trust, and we value it greatly," Volodin
said.

A law permitting entry into Armenia with internal Russian passports
has been adopted in Armenia, and the number of Russian tourists has
increased greatly as a result, he said.

"And our trade in goods has significantly increased and reached about
44.5%. Our countries are dynamically developing and moving toward each
other," Volodin said.

Armenian National Assembly Chair Ara Babloyan, in turn, said that
Armenia passed the bill allowing Russian citizens to travel there with
internal passports on purpose, to show that it is open to Russians.

Volodin also gave the floor to State Duma member and polar explorer
Artur Chilingarov, who noted that he is an ethnic Armenian and has
always maintained ties with his ancestral land.

Volodin expressed hope that there the Armenian parliament will have
"its own Chilingarov," as well, in order to serve as a symbol of
Russia's and the Russian language's special relevance for Armenia's
supreme legislative body.

On the same day, the speakers of the two parliaments also held talks,
during which Babloyan noted that constant contacts between the State
Duma and the Armenian National Assembly, including through the
interparliamentary cooperation commission, confirm that there is
mutual interest.

"We will continue coordinating our positions at interparliamentary
venues, including at the Parliamentary Assembly of the Collective
Security Treaty Organization [CSTO PA], the Parliamentary Assembly of
the OSCE, the Parliamentary Assembly of the Black Sea Economic
Cooperation [PABSEC], the CIS Inter-Parliamentary Assembly, and the
Inter-Parliamentary Union [IPU]," Babloyan said.

The parties discussed hosting OSCE PA events in Yerevan and St.
Petersburg this year.

"The traditional partnership that has developed between our peoples
for centuries is a solid foundation for further Russian-Armenian
cooperation. Our countries maintain a constructive dialogue at the
highest level, parliamentary institutions interact with each other,
cultural and educational ties are being expanded," Volodin said.

Mg mc kf

Azerbaijani press: Guba mass burial demonstrates Armenian atrocities against Azerbaijanis: Isa Habibbeyli

20:54 (UTC+04:00)

Baku, Azerbaijan, Feb. 13

By Ilhama Isabalayeva – Trend:

Reconstruction work on the Guba Genocide Memorial Complex and burial of the human remains are carried out in order to express a respect of Azerbaijani society to the deceased, vice-president of the National Academy of Sciences of Azerbaijan and a member of the investigation committee of the Guba Genocide Memorial Complex academician Isa Habibbeyli told Trend.

According to the scientist, the committee, created by the order of the head of Presidential Administration, reviewed the actual issues, held a meeting with participation of local executive authorities and assessed the situation in regard to research of the Guba burial site and preparation of proposals a year ago. The proposals were presented to the Presidential Administration.

One of the proposals suggested burying remains from the mass graves according to the national and religious traditions, Habibbeyli said.

“Brutally killing people, Armenians had thrown their bodies to the wells. They were not buried according to the national and religious traditions, that’s why now they have to be interred to graves and, I believe, both religious traditions and scientific principles are to be complied with in such case,” the scientist said.

Representatives of different nations are among the buried, the academician said.

He added, that most of the killed are Azerbaijanis, but there were Jews, Lezgins and peoples of other ethnic groups.

The human remains have already been buried in separate graves according to the national and religious traditions, Habibbeyli said.

“Reconstruction work is ongoing at the burial site. The burial demonstrates Armenian atrocities against Azerbaijanis and some remains have been kept open to show this brutality,” the scientist said.

Guba mass burial site raised due to the genocide committed by Armenians against Azerbaijanis in May 1918 was discovered on April 1, 2007 during construction work carried out on the area and serves as an evidence of the events.

Two wells and two aryks (small aqueducts) filled with human remains were found during the work on the area of 514 square meters. One of the wells came down in 2007—2008.

On December 30, 2009, Azerbaijani President Ilham Aliyev signed a decree on the establishment of the Guba memorial complex to the victims of genocide in Guba region.