EurasiaNet.org
Nov 27 2018
“Savior from the Planet Ijevan”: One man documents Pashinyan’s rising cult of personality
The wildly popular prime minister has been depicted as a Christian saint and Roman emperor, and his image graces vodka and nail extensions.
Grigor Atanesian Nov 27, 2018
A man with an image of Armenian Prime Minister Nikol Pashinyan shaved into the back of his head. The image is part of the Facebook collection of Ruben Muradyan, who is documenting what he calls a nascent cult of personality around the premier.
Since taking power in May, Prime Minister Nikol Pashinyan has become wildly popular in Armenia; both for uprooting the deeply hated regime that had ruled Armenia for a decade and for doing it in his dynamic, media-savvy style, unprecedented in Armenian politics.
That approach to governing has captured the imagination of Armenians: a poll conducted by the International Republican Institute and published in October showed that his government enjoyed a stratospheric 82-percent approval rating. In casual conversations, Armenians refer to “our beloved prime minister.”
That adoration also has spawned what some have identified as a nascent cult of personality. Pashinyan’s image now graces T-shirts, cakes, candles, iPhone cases, and other mass-produced memorabilia sold across Yerevan. A pop song titled “Nikol Pashinyan” and calling the prime minister “a national hero” has over 7 million views on YouTube.
With Pashinyan’s avowed agenda of rejecting the authoritarianism of the past and moving toward liberal democracy, a worry has arisen about the future of the country where so much hope is placed in a single man. In private conversations, some Armenians are increasingly expressing deep embarrassment about the over-the-top expressions of Pashinyanmania.
And one man, Yerevan-based cyber security expert Ruben Muradyan, is documenting it all, collecting various representations of this popular adoration and publishing them on his Facebook page, in an album he titled “Revolutionary Art.”
“When it all started in April-May, I looked at the folk art glorifying Pashinyan with curiosity,” Muradyan told Eurasianet. In July, though, he saw footage from a kindergarten event where a little boy, dressed in Pashinyan’s signature baseball cap, camouflage t-shirt, and backpack, marched with a group of “supporters” and sang revolutionary songs.
“That was a turning point for me,” Muradyan said. “I started looking into what’s going on with all these expressions of popular love.” That’s when he started his Facebook chronicle.
“I'm 41 years old, and I was fourteen in 1991,” Muradyan said. “I've never seen anything like this in the history of Armenian politics. Kids had never sung songs about Levon Ter-Petrossian,” the first president of independent Armenia who for a time also enjoyed very high approval ratings.
Some of the highlights from Muradyan’s collection include:
A coin depicting Pashinyan as a Roman emperor:
… and as a Christian saint:
An interview with a citizen who claims that Pashinyan is Jesus himself:
Nail extensions in the form of Pashinyan’s head:
An adaptation of the pop song Despacito, rewritten as a paean to Nikol Pashinyan. “Only Nikol is worthy of being our Prime Minister,” the lyrics say.
Pashinyan-branded vodka:
Muradyan says that his long-time interest in the history of Stalin’s rule in the USSR has informed his sensibility toward the phenomenon. And while many of the popular manifestations of enthusiasm are funny, he is concerned by signs of official support of the cult of personality.
He cited the example of a book about Pashinyan, titled “Savior from the Planet Ijevan” (the prime minister’s hometown) and published with the support of the Ijevan municipal government. After a public backlash, all mentions of the books were deleted from the municipality website and social media accounts.
The national government, too, has joined in. In July, Armenia’s Culture Minister announced an exhibition dedicated to the Velvet Revolution. The exhibit was supposed to be held at the National History Museum on Yerevan’s main square, though it hasn’t yet opened. “The irony is not lost on me: in Soviet Moscow, the Museum of Revolution was situated on Red Square,” Muradyan said.
And in October, Armenia’s pavilion at the Frankfurt Book Fair in Germany — set up by the Ministry of Culture — featured a large poster promoting a book written by Pashinyan. The fact was made public through a photo posted by a deputy minister of culture. The photo drew criticism from Facebook users and was then deleted.
Muradyan admits that he doesn’t have easy answers. “I don’t know what has to be done. Should Pashinyan make fun of this? Should he discourage it? I don't know,” he said. “I think we need to collect the artifacts. And when this cult of personality blooms, nobody will be able to say that we didn’t see it coming.”
Grigor Atanesian is a freelance journalist who covers Armenia.