BAKU: Deputy FM Discusses Nagorno-Karabakh With OSCE Ambassadors

DEPUTY FM DISCUSSES NAGORNO-KARABAKH WITH OSCE AMBASSADORS
Author: E.Huseynov

TREND, Azerbaijan
June 1 2006

Araz Azimov, deputy Foreign Minister of Azerbaijan, received OSCE
mission in Baku. Trend reports with reference to press center of
Foreign Ministry, the mission consists of Spanish ambassador to OSCE
(future representative of organization), as well as ambassadors of
Liechtenstein, Germany and Norway.

At the meeting the parties exchanged opinions within the whole range
of relations between OSCE and Azerbaijan. They paid special attention
to the peaceful settlement of Nagorno-Karabakh conflict and OSCE’s
role in it.

Officials of press center said this is a traditional practice of
OSCE ambassadors visits to different regions, in particular South
Caucasus. The mission aims at discussing cooperation with the countries
of region, in particular Azerbaijan.

ANKARA: Gul – Livni Meeting

GUL – LIVNI MEETING

Anatolian Times, Turkey
May 30 2006

ANKARA – Turkish and Israeli parties expressed their satisfaction as
regards the meeting between Turkish Foreign Minister & Deputy Prime
Minister Abdullah Gul and Israeli Deputy Prime Minister & Foreign
Minister Tzipi Livni.

Sources told the A.A on Monday that the meeting focused on the
bilateral relations, Israeli-Arab dispute and regional issues.

Gul informed Livni on Turkey’s EU membership process, Cyprus and
the Armenian issue. Livni also extended Israel’s support to Turkey’s
EU bid.

The parties agreed to increase the trade volume between the two
countries up to 5 billion USD.

The issue of aid to Palestinian people was also high on agenda,
however, parties failed to draw a frame suggested by Turkey.

Hamas’ delegations visit to Ankara in February was not taken up during
the meeting, executives said.

Azerbaijan ‘vandalised’ sacred Armenian sites

Azerbaijan ‘vandalised’ sacred Armenian sites

The Independent – United Kingdom; May 30, 2006
Stephen Castle in Brussels

Fears that Azerbaijan has systematically destroyed hundreds of
500-year-old Christian artefacts have exploded into a diplomatic row,
after Euro MPs were barred from inspecting an ancient Armenian burial
site.

The predominantly Muslim country’s government has been accused of
“flagrant vandalism” similar to the Taliban’s demolition of the
Bamiyan Buddhas in Afghanistan.

The claims centre on the fate of rare khachkars, stone crosses carved
with intricate floral designs, at the burial ground of Djulfa in the
Nakhichevan region of Azerbaijan, an enclave separated from the rest
of the country by Armenia.

The works – some of the most important examples of Armenian heritage –
are said to have been smashed with sledgehammers last December as the
site was concreted over.

The Azerbaijan government, which denies the claims, is now at the
centre of a row with MEPs, some of whom it accused of a “biased and
hysterical approach”. Its ambassador to the EU also says the European
Parliament has ignored damage to Muslim sites in Armenia. Azerbaijan
refused to allow a delegation of Euro MPs permission to visit the
1,500-year-old Djulfa cemetery during their trip to the region last
month.

Most of the original 10,000 khachkars, most of which date from the
15th and 16th centuries, were destroyed by the early 20th century,
leaving probably fewer than 3,000 by the late 1970s. According to the
International Council on Monuments and Sites (Icomos), the Azerbaijan
government removed 800 khachkars in 1998. Though the destruction was
halted following protests from Unesco, it resumed four years later. By
January 2003 “the 1,500-year-old cemetery had completely been
flattened,” Icomos says.

Witnesses, quoted in the Armenian press, say the final round of
vandalism was unleashed in December last year by Azerbaijani soldiers
wielding sledgehammers.

The president of Icomos, Michael Petzet, said: “Now that all traces of
this highly important historic site seem to have been extinguished all
we can do is mourn the loss and protest against this totally senseless
destruction.” Some MEPs believe that, boosted by its oil revenues,
Azerbaijan is adopting an increasingly assertive stance in the region.

Charles Tannock, Conservative foreign affairs

spokesman in the European parliament, said: “This is very similar to
the Buddha statues destroyed by the Taliban. They have concreted the
area over and turned it into a military camp. If they have nothing to
hide then we should be allowed to inspect the terrain. It was a major
cultural and heritage site which was revered by the Armenian Christian
community.”

When MEPs passed a critical resolution in February, Azerbaijan’s
Foreign Minister, Elmar Mammad-yarov, made a formal protest. Then,
when the parliament’s delegation for relations with Armenia,
Azerbaijan and Georgia asked to combine a mission to Armenia with a
visit to the Djulfa archaeological site, their request was refused.

The Council of Europe’s Parliamentary Assembly hopes to visit the site
and its secretary general has offered to set up an expert group to
examine cultural sites in Azerbaijan and Armenia. MEPs insist that the
authorities in Azerbaijan should open their doors if they have nothing
to hide.

Hannes Swoboda, an Austrian socialist MEP and member of the committee
barred from examining the site, said he hoped a visit could be
arranged in the autumn. He added: “If they do not allow us to go, we
have a clear hint that some- thing bad has happened. If something is
hidden we want to ask why. It can only be because some of the
allegations are true.”

And he warned: “One of the major elements of any country that wants to
come close to Europe is that the cultural heritage of neighbours is
respected.”

TBILISI: Music is the universal language, especially in the Caucasus

The Messenger, Georgia
May 30 2006

Music is the universal language, especially in the Caucasus
Caucasus Chamber Orchestra to play in Sokhumi, Beslan, along with
Yerevan and Baku
By Tiko Giorgadze

“Mshvidobita Shenita” (“With Peace”), a classical music festival,
will open in early June with the patronage of the First Lady of
Georgia, Sandra Roelofs and the support of the U.S., Italian, and
German Embassies.

At a May 25 press conference, director of the Caucasus Chamber
Orchestra, Uwe Berkemer, announced that the orchestra, which is
comprised of Georgian, Russian and Armenian musicians, will perform
June 3-8 in the main hall of the Tbilisi Conservatory.

“Music is a universal language. Everybody in the world understands
that people can communicate through music,” Berkemer told The
Messenger.

He also noted that their main goal is: “to make good music and
promote Caucasian music throughout the Caucasus. Another important
aim is to transport the message of peace all over the world, because
I think if people see how Caucasus people can work together without
fighting, then the orchestra can be regarded as a symbol of stability
in the Caucasus.”

Uwe Berkemer created the new chamber orchestra last year, and its
first festival was held in Batumi in 2005. Now the Caucasus Chamber
Orchestra is planning festivals in Tbilisi, Sokhumi, Azerbaijan, and
Armenia and other Caucasus regions.

“I think it’s definitely a good and interesting idea since music is
really a global language – nobody can argue with that. The fact that
the music of the Caucasus is being used as a sort of initial symbol
of peace – like a dove – is also really important,” explained
Minister of Culture, Goka Gabashvili.

He expressed his gratitude towards the First Lady of Georgia, the
embassies that are supporting the festival and the director of the
orchestra Uwe Berkemer, who he said “is not originally from the
Caucasus but can see the importance of Caucasus music for
establishing peace in the region,” Gabashvili said.

The First Lady believes it is truly a great initiative that will help
the Caucasus people establish peace and friendly relations with each
other.

“The orchestra is going to visit Beslan and Sokhumi where the people
are expecting them with great interest because concerts and the
cultural life are not as developed in there like in Tbilisi.” Sandra
Roelofs told the journalists.

“Our desire is to present this music to all the Caucasus and assure
people that in this way we are able to achieve cooperation, tolerance
and friendship,” the First Lady added.

Pressing Kocharyan, Persuading Aliev

PRESSING KOCHARYAN, PERSUADING ALIEV

Lragir.am
30 May 06

The leader of the Democratic Party Aram Sargsyan thinks home political
developments in Armenia and the Nagorno-Karabakh issue have been
interconnected since 1988. Aram Sargsyan told news reporters on May 30
that people are not tired with Karabakh, and the government of
Karabakh is conducting a correct policy, there are simply a group of
people, `natives of Karabakh, natives of Aparan, natives of Lori,
etc,’ which cannot be generalized, however.

Aram Sargsyan thinks that much depends on the American pressure on
Kocharyan during the Kocharyan-Aliyev meeting in early June. `I do
not know whether Mr. Kocharyan will get over it.’ And, in fact, there
is pressure because `Bush has not given up its adventurous plans on
Iran.’ And in case Kocharyan fails to stand pressure, Aram Sargsyan
proposes him to resign, `to have time and find a pro-Armenian
settlement of the problem.’ But this is not the case when ` I would be
happy if Kocharyan made a mistake.’

Aram Sargsyan says while they are pressing Kocharyan, they are
cajoling and persuading Aliyev. `Because there is Baku-Geihan, because
their territory was chosen as a possible weapon emplacement, because
while Armenia’s strategic partner is Russia, Azerbaijan is still
floating. And they may press Kocharyan threatening that his file could
be declassified.’

This is not our tragedy, however. At least, this is not the key
thing. =80=9CWe lack a foreign political line, we are not aware of our
place and role.

Therefore, one says Europe, the other says America, yet the third says
another thing. ‘

Khrimian Lyceum wraps up successful year

PRESS OFFICE
Diocese of the Armenian Church of America (Eastern)
630 Second Avenue, New York, NY 10016
Contact: Jake Goshert, Coordinator of Information Services
Tel: (212) 686-0710 Ext. 60; Fax: (212) 779-3558
E-mail: [email protected]
Website:

May 30, 2006
___________________

GRADUATION PROGRAM SET FOR JUNE 10

For the past six years they have focused on learning the Armenian language,
faith, culture, and traditions through the Khrimian Lyceum, the Eastern
Diocese’s educational program for local Armenian School graduates. On June
10, six Khrimian students will graduate, with five more marking the
completion of the first half of the six-year program.

Students in the program meet monthly for regular classes and guest lectures
from experts in a variety of fields. Along with the program held at the
Diocesan Center in New York, a Khrimian Lyceum was also recently started in
the Boston area.

WRAPPING UP A SUCCESSFUL YEAR

The last few sessions of the New York area Khrimian Lyceum have been filled
with special speakers. Parents and other guests were invited to join the
young scholars for a symposium on April 8, 2006.

“We wanted to give students a deeper understanding of the different
disciplines of our culture,” said Gilda Buchakjian-Kupelian, coordinator of
Armenian studies for the Diocese. “Plus, we wanted to expose them to
contemporary events and thinking, to see a little of the possible future for
our people.”

Using a slide show of his work, Harry Koundakjian, a photographer and
coordinator of the Middle East archives for the Associated Press, spoke
about the disasters, wars, and landmark events — including the inclusion of
the Republic of Armenia to the United Nations — that he has covered in his
career. He was followed by freelance reporter Florence Avakian, who used
her life story to encourage the students to follow their dreams in choosing
a career path.

Armenian architectural expert Kevork Khrimian spoke about the cultural and
historic aspects that shaped Armenian architecture, particularly its great
churches. Actress and playwright Nora Armani spoke about the Armenian
stage, particularly the two key centers of Armenian theater in the 19th
century: Tbilisi, Georgia, and Istanbul.

THOUGHTS FROM AN ALUMNA

During their May class, before taking their final exams, the Khrimian Lyceum
students heard from a successful alumna, Ani Nalbandian, who spoke about her
self-published book “Polis: A Way of Life.”

She spoke about how the lessons she learned at the Khrimian Lyceum helped
strengthen her identity.

GRADUATION

Six students will graduate this year during a ceremony at New York City’s
St. Vartan Cathedral at 4 p.m. on Saturday, June 10. Five others will go
through the azkatroshn ceremony marking the completion of half the program.
During that ceremony, each student will be joined by sponsors who pledge to
support them in their education.

For more information on next year’s program and how to register your
children, contact Gilda Buchakjian-Kupelian by e-mailing
[email protected] or calling (212) 686-0710 ext. 48.

— 5/30/06

E-mail photos available on request. Photos also viewable in the News and
Events section of the Eastern Diocese’s website,

PHOTO CAPTION (1): Photo-journalist Harry Koundakjian presents a photo of
the rising of the Republic of Armenia’s flag at the United Nations to
students at the Khrimian Lyceum symposium at the Eastern Diocesan Center on
April 8, 2006.

PHOTO CAPTION (2): Journalist Florence Avakian with the young students at
the Diocesan Khrimian Lyceum.

PHOTO CAPTION (3): Kevork Khrimian speaks about Armenian architecture
during the Khrimian Lyceum symposium on April 8, 2006.

PHOTO CAPTION (4): Students in the Diocesan Khrimian Lyceum program listen
to Nora Armani speak about Armenian theatrical traditions.

PHOTO CAPTION (5): Khrimian Lyceum graduate Ani Nalbandian speaks about the
power of young people during the last day of class for the 2005/2006 school
year.

www.armenianchurch.net
www.armenianchurch.net.

UCLA AEF Armenian History Chair Conference October 28/29

PRESS RELEASE
UCLA AEF Chair in Armenian History
Contact: Prof. Richard Hovannisian
Tel: 310-825-3375
Email: [email protected]

1. THE NEXT UCLA AEF CHAIR CONFERENCE, OCTOBER 28-29, 2006

“The Ebb and Flow of Armenians in India and Southeast Asia –Traders,
Merchants, Intellectuals, and Communities.”
Several additional scholars may be included in the program. Interested
scholars should submit a one-page abstract by July 1 to
Prof. RG Hovannisian at “[email protected]

2. A description of the program in the Writers Union of Armenia on the
occasion of the translation into Armenian of volume I of Richard
Hovannisian’s “Republic of Armenia” may be found on the web site
, along with other news of interest.

3. Attached is a report on the the recent UCLA conference on “Armenia:
Challenges of Sustainable Development,” dedicated to renowned UCLA
economic theorist Armen Alchian.

www.ACNIS.am

The Response to Hatred: A Labor of Love

The Response to Hatred: A Labor of Love

Artistic monuments destroyed by Azeris live on in
Ararat Sarkissian’s designs

by Sonia Porter
May 27, 2006

Much of Ararat Sarkissian’s art reflects a lifelong fascination with
signs and icons. It’s a fascination that goes to the heart of
symbol-making — its mechanics, cultural underpinnings, and evolution
across the ages. Not surprisingly, history is a powerful constant in
Sarkissian’s paintings and graphics, making for narratives, however,
that go beyond the linear.

Alphabets, pictographs, architecture, urban grids, religious
iconography. All of these spheres are by turns honored and playfully
tweaked in Sarkissian’s work, whose perhaps most salient statement is
about movement and becoming. In his paintings of vanished cities, for
instance, the purpose is not to inspire nostalgia or romanticize a
glorious past, but to convey the transformation of a certain spirit
that may be traced to the vanished space in question.

It is no doubt the quest for such a transformation that these days
finds Sarkissian busy in his Yerevan studio, painstakingly reproducing
khachkars, or cross stones, that no longer exist.

Cross stones have been a central element in Armenian architecture and
decorative art since the 4th century. Consisting of intricate cross
designs carved on rectangular slabs of stone, cross stones can
function as gravestones, free-standing monuments in cathedral
complexes, or integrated sections of church facades and other
structures. Cross stones were also built for a wide range of social
and political purposes. They commemorated war victories, baptisms and
weddings, and were built as offerings to God for good luck and the
redemption of one’s sins.

Ever since the early 19th century, Armenian cross stones have been
casually and often systematically destroyed throughout the occupied
territories of historic Armenia. The obliteration of cross stones
continues today in Turkey, Nakhichevan, and Azerbaijan, where there
was a sizeable Armenian community until the start of the
Nagorno-Karabagh conflict in the late 1980s. In recent months, the
razing of Armenian monuments reached fever pitch in Nakhichevan, where
local armed forces destroyed some 3,500 cross stones in the Old Jugha
cemetery. The incident prompted Armenian Foreign Minister Vartan
Oskanian to file a letter of protest with the United Nations.

`The men behind the destruction of these monuments either don’t
realize or don’t care that they’re wiping out irreplaceable pieces of
a rich artistic legacy,’ Sarkissian said. `Their crime is being
carried out not only against Armenian culture per se, but civilization
as a whole. As a human being and an artist, I am saddened and
outraged, but I also believe that I must act.’

Sarkissian’s decision to respond has resulted in one of his most
profoundly-felt projects to date. After pouring over hundreds of
sources such as photographs, cross stone fragments, archeologist
drawings, and illuminated manuscripts, he has begun etching likenesses
of extinct cross stones, then embossing the designs on paper that he
himself makes, using a time-honored technique. The goal is to produce
packages containing 36 designs each — 36 being the number of letters
in the Armenian alphabet. Each package will also include a compact
disc documenting the destruction of cross stones and featuring
Sarkissian at work throughout the reproduction process.

`I wish I could help undo the damage at the Old Jugha cemetery… I’d
love to travel there right now and start rebuilding some of those
lovely cross stones,’ Sarkissian said. `But wishful thinking won’t get
us anywhere.’ He then pointed at his designs. `This project, right
here, is my way of dealing with the brutality in Nakhichevan. I’d like
to believe that, in a sense, I’m rebuilding what has been lost,
through these recreations on paper; I’m helping preserve the memory.’

History, Christian lore, folklore, and a great deal of personal
narratives converge in Sarkissian’s embossed designs. As he explained,
the diversity of themes and styles found on cross stones offers an
important insight into the history and artistic evolution of the
Armenian people.

`Armenian sculptors did not simply carve a cross on a piece of stone,’
Sarkissian continued. `Rather, they expanded the definition of the
design with progressively elaborate compositions.’

Born in Gyumri, Sarkissian studied fine art in his birthplace and
Yerevan, and has become one of Armenia’s most prominent painters and
graphic artists, exhibiting his works in Europe, the United States,
Japan, and Russia. Several of his paintings are now part of museum
collections throughout the world. Sarkissian has also published a
number of catalogues, including monographs on signs, icons, and
archetypes.


Ms. Sonia Potter has acted as philanthropic advisor to galleries,
museums and foundations promoting artists, cultural institutions and
humanitarian causes. She may be reached at [email protected]

Exhibition Dedicated to 15th Anniversary of Independence Opens at NA

EXHIBITION DEDICATED TO 15TH ANNIVERSARY OF INDEPENDENCE OPENS AT RA
NATIONAL ASSEMBLY

YEREVAN, MAY 25, NOYAN TAPAN – ARMENIANS TODAY. The exhibition of
works of Arev Petrosian, a member of the Painters’ Union of Armenia,
that opened on May 24, at the National Assembly, on the initiative of
Hranush Hakobian, the Chairwoman of the RA Parliament Standing
Committee on Science, Education, Culture and Youth Issues, is
dedicated to the 15th anniversary of the independence of Armenia. “We
got an opportunity to see the future of our country brighter,” Vahan
Hovhannisian, the NA Deputy Speaker, a ARF Bureau member mentioned,
looking at sculptor Benik Petrosian’s daughter’s colourful painting on
organic glass. “We sometimes listen to so pessimistic speeches in the
conference-hall that it seems that everything has perished out of the
hall, but it appears, people live, create, and create wonderfully, out
of the hall,” the NA Speaker said.

Have prejudice, won’t travel

The Times, UK
May 26 2006

Have prejudice, won’t travel
Ben MacIntyre

We used to be happiest at home, away from ‘bloody foreigners’. That
was before cheap air fares

THIS SUMMER, as an antidote to all those books rhapsodising about the
Tuscan sun, you could dip into The Clumsiest People in Europe: Or,
Mrs Mortimer’s Bad-Tempered Guide to the Victorian World, which may
qualify as the most intolerant travel guide ever published. Driving
over lemons? Mrs Mortimer would rather drive over foreigners.
Mrs Favell Lee Mortimer, an Englishwoman who started out as a
children’s author, published three volumes of travel writing between
1849 and 1854, covering the globe from Asia to Africa to the
Americas. She was even-handed, in a back-handed way: she despised
just about everyone and everything.

The Portuguese, as well as being `the clumsiest people in Europe’,
are `indolent, just like the Spaniards’. The Welsh are `not very
clean’; the Zulus: `A miserable race of people’; the Greeks: `Do not
bear their troubles well; when they are unhappy, they scream like
babies’; Armenians `live in holes in the ground . . . because they
hope the Kurds may not find out where they are.’ Buddhists, Hindus,
Mohammedans: all received a thrashing from the aggressively
Protestant Mrs Mortimer.

Lao-Tzu, the father of Taoism, is dismissed as `an awful liar’. Roman
Catholicism comes off little better: `A kind of Christian religion,
but a very bad one.’ Oddly, however, she professes a soft spot for
Nubians: `A fine race . . . of a bright copper colour’.

Mrs Mortimer’s guide (which comes out in paperback next month)
provides a strange glimpse into the blinkered mind of a middle-class,
middle-aged bigot in Middle England in the middle of the 19th
century. Her sweepingly negative generalisations and racial
stereotyping seem even more remarkable for the fact that this doughty
world traveller didn’t go to the places she described and disparaged.
The sum total of her foreign travel was one childhood trip to Paris
and Brussels. Her knowledge of Taoism was exactly zero. She had never
set eyes on a Nubian. She amassed her pungent prejudices sitting in
her English drawing room.

This was once an acceptable British way to travel (or, more exactly,
stay at home and not travel). Mrs Mortimer’s all-embracing xenophobia
was probably extreme, but it was far from unique. Those sorts of
casual prejudices were part of the arrogance of empire, but also
reflected a deep-seated insecurity. Mrs Mortimer was terrified of
anybody un-English because she stayed in England.

Other countries have chauvinists, but the blanket disdain for Johnny
Foreigner was a peculiarly British phenomenon. `Don’t go abroad,’
muttered George VI, speaking for his class and most of his realm.
`Abroad’s bloody!’ Nancy Mitford’s Uncle Matthew ventured abroad
once, but `four years in France and Italy between 1914 and 1918 had
given him no great opinion of foreigners . . . `Frogs are slightly
better than Huns or Wops, but abroad is unutterably bloody and
foreigners are fiends’.’

There is a delightful line in Gosford Park, when one snobbish British
character turns to his weeping wife and hisses: `Would you stop
snivelling? One might think you were Italian!’ It is a remark that
perfectly blends snootiness, stiff-upper-lippery and ignorance.
Evelyn Waugh, so acute on so many subjects, was capable of travelling
with his eyes closed: he sneered that, from the air, Paris without
the Eiffel Tower looked like an extended High Wycombe.

Cheap and plentiful foreign air travel may be killing the planet, but
at least it has finally killed off the sort of prejudice that was
once the hallmark of the British armchair traveller. Britons today
wander in vast droves, and are informed about Abroad in a way that
would have been entirely foreign to our grandparents. Mrs Mortimer
insisted that the English `like best being at home, and this is
right’. Today the English like best being on a cheapo flight bound
for somewhere as far from home as possible. And this, it seems to me,
is right.

The World Cup will bring with it the usual bout of soul-searching
when some sunburnt, beer-drenched oik insists on performing the
`Don’t mention the war’ sketch in downtown Munich. But if this is
xenophobia, it is a pale, ironical imitation of the deeply ingrained
aversion to foreign folk that once prevailed in our culture.

Racism persists, but gone is the fear of foreignness. The British are
as likely as ever to complain that the French smell of garlic and the
Germans have no jokes. The difference is that the vast majority of
Britons know the stereotypes are not true. We no longer laugh with
Mrs Mortimer – as she points to the clumsy Portuguese and the scurvy
Greeks – but at her.

No politician could now declare, as the Earl of Crawford, a former
Tory Cabinet minister, did in 1929: `I am a xenophobe, particularly
as regards the French. I look upon France as a corrupt and corrupting
influence, and the less personal intercourse between Britain and
France the better.’

The Second World War reinforced that sense of superior isolation. The
MI5 officer responsible for interviewing suspected foreign agents
during the war compiled an official report offering observations such
as `Italy is country populated by undersized, posturing folk’. He was
not joking.

For some time after the war, the British island mentality meant
defining our nationality in contradistinction to others. `For the
English,’ David Frost and Anthony Jay once wrote,`the best definition
of hell is of a place where the Germans are the police, the Swedes
are the comedians, the Italians are the defence force . . .’. Today,
according to Crap Towns, the best English definition of hell is Hull.

We owe Mrs Mortimer a debt, for her little book is the shining
example of how not to travel in the British manner, a reminder of a
way of thinking that has gone forever.

Mrs Mortimer wrote her own epitaph: `They always laugh when they hear
of customs unlike their own; for they think that they do everything
in the best way, and that all other ways are foolish.’ Was this some
sudden flash of self-knowledge? No, this is Mrs Mortimer, sticking
the boot into the Bechuanas of South Africa.