Travel: : Duty of Soul publishes tourist booklets about Armenian southern province of Syunik

ARKA, Armenia

YEREVAN, June 20. /ARKA/. An Armenian NGO called ‘Duty of Soul’ has printed 2000 copies of booklets for Russian and English speaking tourists about historical monuments of the southern province of Syunik. The booklet consists of a map and a guidebook  

Shogine Hovhannisyan, the chairwoman of the NGO, told journalists on Tuesday that the main goal of the booklet is to help boost tourism in Syunik region. Similar booklets were published earlier about other Armenian provinces of Lori,  Tavush, Gegharkunik and Kotayk.

The latest booklet is intended for Armenian and foreign tourists who are keen on ecotourism. They will be able to get acquainted not only with the Tatev Monastery complex and the cable car, which are considered the tourism center of the Syunik region, but also with a huge number of other attractions, natural and historical monuments in Syunik.

The map not only shows the sights  which one can reach by car, but also monuments located far away from roads, where one can walk along footpaths. It shows all major and minor roads, as well as all regional centers, cities and villages of the Syunik region.

The map shows the location of about 200 monuments, although the region has about 5000 of them. The booklets were created and printed by the Duty of Soul in cooperation with the Foundation for the Study of Armenian Architecture on money provided by the presidential office and the Youth Foundation of Armenia. -0-

Music: Music Day to be celebrated in Armenia tomorrow

Panorama, Armenia

Music celebration taking place on 21 June on the summer solstice.

The concept of an all-day musical celebration was originated by the French Minister of Culture, Jack Lang. Launched in 1982 in France as the Fête de la Musique, it is now held on the same day in more than 750 cities in 120 countries.

This year the holiday will take place at Yerevan Lovers’ Park starting at 18;00 Yerevan time.  The concert program will feature Armenian and French music, “Miqayel Voskanyan and friends band with jazz and rock performances, Goght ensemble, performing on traditional Armenian music instruments as well as other bands and solo performers are expected to  appear during the event.

Yezidi Department established within Armenian Union of Writers

Public Radio of Armenia
14:47,

 Yezidi Department has been established within the Union of Writers of Armenia. The largest minority in Armenia, the Yezidi community will celebrate the 100th anniversary of establishing itself in the country.

The community has always had an opportunity to preserve its national identity. The Public Radio of Armenia broadcasts daily programs in Yezidi. The community publishes a monthly magazine and has a number of organizations functioning in Armenia. There are Yezidi scholars working at the Armenian National Academy of Sciences.

From now on the community will have its Department within the Union of Writers of Armenia.

Head of the Yezidi Programs Department of Public Radio of Armenia Hasan Tamoyan, who has been elected to head the Department, calls its establishment a “truly historic” event.

Hasan Tamoyan congratulated the Yezidis in Armenia and the world on the occasion of this ‘historic day.’

Film: A Der Hayr’s Perspective on ‘The Promise’

Armenian Weekly

 

The theatrical poster for ‘The Promise’ (Photo: Survival Pictures)

“If we want to commemorate the hundredth anniversary appropriately, we have to do something to shake the world. Politically we do not have enough power to do that. But there is another field where we might be able to shake the world’s conscience. That field is the arts, to be more correct the movie industry – Hollywood.  It is well known how big an impact the movie industry has on people. Actually, its impact goes far beyond what we can imagine. Actually, government officials, scholars and knowledgeable people know about the genocide. The genocide became well known for many people, and we had great achievements in order to tell the world about it. But it is not yet a widely known and wide spread issue for the people around the globe. We have to focus on this; to make the genocide recognized by the masses—to make it a top issue. Here the movie industry and to be more correctly, Hollywood, can do the job.”

This is a part of an article that I wrote in 2013 and was published in the Armenian Weekly and Armenian Mirror Spectator newspapers of Watertown, Mass. At that time I was concerned if we would be able to commemorate the hundredth anniversary of the genocide properly. By saying properly, I meant whether we will be able to make the Armenian Genocide and our cause an international topic. I am glad to say that although a movie was not done by 2015, we succeeded to break the silence of the mainstream media in 2015 with our efforts, and by public recognition by Pope Francis and others.

The other factor that helps us is Turkey’s opposition to any effort to recognize the genocide. How contradictory that may look, I believe that Turkey’s behavior helps us to get more publicity from the media. The media likes scandals; the media likes controversy, because that is what brings more audiences. And here, Turkey’s behavior creates that controversy.

Had Turkey recognized the genocide, I believe the media would be paying less attention to the issue. Actually, Turkey is trapped. Whether it is acknowledging the genocide or not, both options are bad for Turkey. I am not talking about Turkish intellectuals who are in the minority and who recognize the genocide and apologize. I am talking about the Turkish government, leadership, and most its people.  The recognition by Turkey will not happen soon, as Turkey now is becoming a caliphate with its sultan, Erdogan. The question is, whether Turkey is capable of becoming a part of the civilized world. Looking deeper from historical perspective, I believe that it is in Turkey’s interest to recognize the genocide. That is how people of common sense think. But as I mentioned above, I don’t think this will happen soon.

The Promise: A Huge Step Forward

Coming back to the main purpose of this article and that is The Promise, I would like to emphasize that the film will have long lasting implications. As Armenians, we may have some objections about the movie. We can say that a hundred years ago it was not typical for an Armenian young man coming from the gavar (countryside) to a big city, to start a romantic relationship with another young lady, when he was already engaged to another woman in his village. If that was an exception we did not see a reason. At that time, people did not act based on their feelings since family ties were much important and stronger. We can say that the village of Siroun, did not look like an Armenian village, moreover, a church was absent from the scene. We can say that in Musa Dagh the Armenian Apostolic clergy were given a secondary role. And finally, we can say that it was not typical for Armenians of that time to be involved in a love triangle. If there should be a love story, it could be based on family values, which were more typical for us at that time. I hope in the future there will be more accurate picture to the realities of the Armenian life 100 years ago.

From another perspective, we can say that the movie as a work of art is not a masterpiece. But we have to understand that The Promise is the first big movie production done by Hollywood and by non-Armenians about the genocide, and for that reason it is a big success as a first step. We know that most of Jewish Holocaust movies artistically are not comparable to the Schindler’s List. Here we can point out some of the positive sides of The Promise. We can point out the successful choice of the actors. We can point out a logically and successfully connected story of the movie starting from Siroun, passing through Constantinople and ending in Musa Dagh and the U.S. We can point out a very good presentation of our nation (strong family ties, the beauty of our culture, our heroism and our significant ability to survive and to be recovered in a short time). Finally, and most importantly, we can point out a convincing and a clear revelation of the Turkish crime, based on documented stories. In the end, the main purpose of the movie is the genocide and primarily it is addressed to non-Armenians. It is also very important to mention the positive roles and presence of American characters, the high nobility of Chris Myers (Christian Bale) and the courage of Ambassador Morgenthau (James Cromwell).

I think the director Terry George made a smart move by downgrading violence scenes in the movie. He explained in his interviews that he wanted to make an educational movie, in other words to show it in the schools. For this reason, the movie is rated PG-13. People will be educated about the genocide starting from their teen years. Although the Armenian Genocide may be included in some states’ educational program, I believe it is more powerful to see a movie, rather than just talk and read about it. Our next task will be to show the movie in schools not only in the U.S., but around the globe. I think we will succeed in this. Imagine that generations around the world will be growing more educated about the genocide. We know that movies do not just go away. They will be released on DVD, be available on cable channels, YouTube, Netflix. etc. We must include also the media coverage related to the movie—television interviews, newspapers articles, etc. What an enormous impact on both the short and the long runs.

Another very important aspect of The Promise is its impact on our growing generation and youth, what we call it in Armenian hayabahbanum. I do not hear much about this point in the discussions surrounding the film. Actually, I think the internal impact is just as important as its external one. I believe The Promise is having and will have a major impact on many Armenian youth who have not decided yet about their national identity or they are in the process of figuring it out. Such people might be full Armenians or half-Armenians and different ages as well. I can already see that in my community here in Massachusetts.

However, perhaps the most important thing that we must remember is who was behind the film. We know that over the years there were several attempts to make a big genocide movie in Hollywood. There was information that Sylvester Stallone, Natalia Portman, and others were interested to act in a movie about the Armenian Genocide. No one succeeded and we know why—because of Turkey both openly and secretly blocked such projects and it succeeded. Not with The Promise. This time we succeeded because somebody fully financed the movie ($100 million), and that one person was Kirk Kerkorian.

After knowing this fact on April 23, we had a memorial service for him at our Church in Indian Orchard, Mass. It is unfortunate to say that it could take forever if we made it a public national project. It is our mentality; we have difficulty working as a team. Always somebody would oppose, would block, say something and do something else, make foolish accusations and or  nationalistic slogans to gain personal benefits. We are a nation of individuals. We work together well when there is a threat to our physical existence and security. But in peaceful times, we are incapable of handling long term goals that need team work and patience. The current Republic of Armenia is an obvious proof of this. Our great achievements are done by individuals, or by a small group of people. The Promise is the same case. It is done by a group of devoted and enthusiastic people, like Eric Esrailian and others.

But, this is our history and our current dominant situation and I hope it is changing. As begin to learn how the things are done in the civilized world, I think we, or to be more accurate, an important part of our people, are starting to work in the right direction. One of the examples that show a change in the right direction is the Armenian National Committee in the US and elsewhere, where there have been great achievements well known to us, despite a well-funded opposition from the pro-Turkish lobbyists in the government. Another recent success is the Aurora project in Armenia, an international reward prize for people who had achievements in humanitarian efforts. George Clooney, Elie Wiesel (d. 2016), Leymah Gbowee (both are Nobel Peace Prize winners) and other non-Armenian renowned individuals are on the Aurora board, which makes it an international project. It is named after an Armenian Genocide survival girl, Aurora Mardiganian, who came to the U.S. In 1919, there was a movie done about the genocide based on her survival story Ravished Armenia, in which she also acted. So, the Aurora project was put together in a very good and smart way. Aurora” like The Promise was done by a nation who was a victim of genocide, to help to stop similar crimes from happening again. In other words, as a victim nation in the past, now we are helping others who are victimized. We are returning a favor to the humanity for helping as when we were in trouble. This also has a Christian connection and it is a strong statement about who we are in the front of the international community. The Auror  initiator is a small team of highly educated and intellectual people: Ruben Vardanyan, a Russian-Armenian who finances the project, Vartan Gregorian, the President of Carnegie foundation in New York, and Noubar Afeyan, a businessman from Boston, and others. Vardanyan also built an international college in Dilijan, Armenia. He is a man who thinks globally, not narrow nationally. That is the right way to succeed and to gain friends and supporters and to make Armenia an international center.

I hope The Promise will have a continuation. We have some billionaires in Russia as well as millionaires in U.S. and elsewhere. No one can say that we lack the finances for the next movie or movies and other international projects. The issue is to find the right methods and the right people. We also have a big community in an area located near Hollywood and I believe we have connections, and we can work in order to break the taboo surrounding any idea to make a movie about the genocide and to make the topic a profitable idea for Hollywood. The genocide can provide many topics for possible future movies like American missionaries’ genocide stories, Armin Wagner’s story, Talaat’s assassination and Tehlirian’s trial, Aurora Mardiganian’s stry, Komitas Vartabed’s story, the Musa Dagh and Van self-defense stories, etc. It is crucial that we learn to work on the international level. The old methods we used to it will not be successful if we want the people around the globe to hear us. If The Promise is a successful project, but not enough to shake the world, our next project must shake it.

In conclusion, I would like to emphasize that the politicians know about the genocide. The main and final goal of the Armenian cause is to enforce Turkey to recognize the Armenian Genocide, to pay reparations, and to return our land. We are continuing to work on that front as well, but legal and political goals might take a long time to achieve, because they are not only depending on us, but mostly on global politics. I believe the day will come when it will be realistic for us to achieve our dreams, especially with what is going now in the Middle East, Turkey, and with the Kurds. Meanwhile, we must continue to work to get the support of the public opinion, because this is a field where we can make a substantial difference and we can do it ourselves or through our friends and people of good will. By working in this direction, we may put pressure on politicians and other decision makers in order to accelerate the change in policies and its effects on the ground, and/or at least to gain benefits when the time comes and it will come.

“We are, we shall be, and become many,” Paruyr Sevak.

Fr. Bedros Shetilian is the Pastor of St. Gregory’s Armenian Apostolic Church in Indian Orchard, Mass.

Comédie du livre. Cinq livres de cinq auteurs invités

Le Monde. France
Jeudi 18 Mai 2017


Comédie du livre. Cinq livres de cinq auteurs invités

par Philippe-Jean Catinchi; Raphaëlle Leyris


Jeanne Benameur, nimbée de mystère

L'Enfant qui, de Jeanne Benameur, Actes Sud, 130 p., 13,80 .

C'est dans les silences que Jeanne Benameur semble creuser son oeuvre.
Ses personnages ne se paient pas de mots, tandis qu'elle choisit les
siens avec une parcimonie qui décuple leur effet. La mère de son
bouleversant premier roman, Les Demeurées (Denoël, 2000), était
muette, mais l'amour entre elle, l'idiote du village, et sa fille,
tenait aussi dans cette absence de paroles. L'Enfant qui est
probablement le livre de Jeanne Benameur se rapprochant le plus des
Demeurées. En son coeur, il y a cet «enfant qui» a perdu sa mère et
qui, «adossé» à cette absence, arpente la forêt, découvre de nouveaux
lieux, guidé par un chien qu'il est le seul à voir.

Cette mère éprise de liberté, à la jupe «fanée», aux «mains
silencieuses», parlait une autre langue que celle du village, et pour
cela éveillait la méfiance. Tandis que l'enfant pousse toujours plus
loin ses explorations, son père, charpentier, passe tout le temps où
il ne travaille pas au café - au milieu des «paroles qui font juste ce
qu'il faut de bruit pour se sentir vivants, ensemble. On pourrait se
parler chinois, quelle importance» - en espérant se défaire du
souvenir de sa femme, et du désir qu'il garde d'elle. Sa propre mère
va de ferme en ferme acheter de la nourriture pour eux trois, en
espérant faire ainsi tenir leur foyer. Nimbé de mystère, ce roman sur
ce qui constitue une famille, sur la manière dont grandit une
individualité, et dont on apprend à habiter le monde, est d'une poésie
aussi heurtée que son titre. R. L.

Jeanne Benameur lit L'Enfant qui, suivi d'un entretien avec Martine
Laval. Comédie du livre, Auditorium du Musée Fabre, dimanche 21mai,
14h30.

Cécile Coulon à la porte du paradis

Trois saisons d'orage, de Cécile Coulon, Viviane Hamy, 270 p., 19 .

Les Trois Gueules doivent leur nom à «la forme des falaises au creux
desquelles coule un torrent sombre. C'est un défilé de roche grise,
haute et acérée, divisée en trois parties, en trois sommets successifs
qui ressemblent à s'y méprendre à trois énormes canines.» Au fond, les
Trois Gueules sont peut-être moins un paysage qu'un amphithéâtre. Et
Trois saisons d'orage, qui s'y déroule, relève autant du roman que de
la tragédie antique. Le septième roman de Cécile Coulon, 27ans, est
une histoire dedestin et de malédiction. D'hubris, aussi, cet orgueil
qui fait monter les hommes très haut, avant de provoquer leur chute.
Les protagonistes de Trois saisons d'orage seront ainsi perdus par
leur certitude de pouvoir dominer la nature, ­ «discipliner ses
turbulences», oubliant «qu'elle était là avant eux, qu'elle ne leur
appartient pas, mais qu'ils lui appartiennent».

La nature va donc se charger de le rappeler aux trois générations et
aux deux familles dont les histoires sont tissées ici, et racontées
par Clément, le prêtre du village des Fontaines, que dominent les
Trois Gueules. C'est là que décide de s'installer, après la guerre,
André, médecin militaire. Il soignera les «fourmis blanches», ces
hommes embauchés par l'entreprise d'extraction de pierre calcaire
Charrier frères, dont l'ouverture a redonné vie au bourg. Son fils
Benedict, né d'une brève liaison, prendra sa suite, et vivra aux
Fontaines avec sa femme, Agnès, rencontrée pendant ses études en
ville, qui acquiesce quand son mari souligne que «cet endroit, c'est
le paradis», mais objecte: «On s'ennuie vite, au paradis.»

Empreint de sensualité, Trois saisons d'orage est un puissant roman
des secrets. Ayant grandi dans le Massif central, dont les paysages
lui ont inspiré ceux de ce livre, Cécile Coulon impressionne plus à
chaque ouvrage par sa maîtrise, et par l'étendue de sa palette
romanesque. R.L.

Entretien littéraire. Cécile Coulon dialogue avec Jean-Antoine
Loiseau. Comédie du livre, Médiathèque municipale de Vendargues,
vendredi 19mai, 18heures.

Olivier Delorme, une brûlante réflexion

Tigrane l'Arménien, d'Olivier Delorme, La Différence, 400 p., 19 .

A Athènes, saignée par la crise économique et la tutelle européenne,
les murs parlent, interpellent. «Allons admirer le chaos; peut-être
trouverons-nous une solution.» C'est un peu le programme du fascinant
Tigrane L'Arménien, qui interroge autant l'origine du génocide
arménien de 1915 que la collusion entre gouvernance internationale et
stratégie économique à l'heure de la mondialisation. A travers les
combats des frères Arevchadian, unis dans leur devoir mémoriel mais
opposés sur les enjeux du présent, c'est une plongée dans la part
d'ombre de l'ère contemporaine que le roman d'Olivier Delorme propose.
De la tragédie arménienne naguère à la dénonciation de la nocivité de
la stratégie de la Commission européenne aujourd'hui, le lecteur suit
deux fils tissant (avec une érudition qui préserve toujours l'art du
thriller) une brûlante réflexion sur l'engagement et le choix, sa
douleur et son prix. On savait Olivier Delorme féru d'archéologie et
d'antiquité, d'intrigues tant géopolitiques que policières (L'Or
d'Alexandre, H &O, 2008). Le tour de force de l'essayiste synthétisant
seize siècles d'histoire (La Grèce et les Balkans, Gallimard, 2013)
avait impressionné. On retrouve dans Tigrane L'Arménien la parfaite
conjonction du savoir-faire du romancier et de l'exigence de
l'historien, pimentée ici par la tentation de l'éditorialiste. Autant
de raisons de le laisser nous guider pour comprendre un présent qui,
faute d'éthique et de mémoire, menace d'embrasements futurs. Ph.-J. C.

«La Grèce et les Balkans». Entretien avec Olivier Delorme, animé par
Catherine Pont-Humbert. Comédie du livre, Gazette Café, samedi 20mai,
17h30.

Hubert Haddad, l'art de la fugue

Premières neiges sur Pondichéry, d'Hubert Haddad, Zulma, 192 p., 17,50 .

«Nul n'échappe au carnaval perpétuel des idolâtres.» C'est toutefois
le pari que fait Hochéa Meintzel, violoniste virtuose, quand, en
acceptant l'invitation d'un festival de musique à ­Madras (Chennai, en
Inde), il quitte Jérusalem sans retour. Lui qui a survécu au martyre
de Lodz, en Pologne («L'enfance, un piège à loup caché sous les neiges
du temps»), est brisé sans remède par la mort de sa fille Samra,
victime d'un attentat islamiste. Désormais il n'attend plus rien. Le
hasard, la seule boussole qu'il admette, le fait échouer à Pondichéry.
Il s'y laisse porter d'une rencontre fortuite à l'autre, ne vivant que
par ses sens, l'appel de l'extrême et de l'exubérance. Après avoir fui
un pays «de pantins et d'aliénés», il va découvrir une improbable
Babel où langues et croyances unissent leur dynamisme. Le temps d'une
nuit de tempête, où une antique synagogue lui offre son refuge, il va
trouver un sens à cet exil qui l'arrache à la servitude de l'origine.
Les flammes d'un brasero, de torchères ou d'un candélabre à sept
branches, en réveillant les ombres, maintiennent en éveil et en vie
l'artiste blessé. «Les mélodies sont des âmes qui n'ont pas trouvé de
corps.» Par un récit où la poésie le dispute à l'érudition, la quête
philosophique au journal de bord, Hubert Haddad signe un «art de la
fugue» qui n'est pas sans écho avec le testament inachevé d'un Bach à
l'apogée de son écriture. Ph.-J. C.

Petit déjeuner littéraire. Hubert Haddad dialogue avec Elise Lépine.
Comédie du livre, Jardin de la Maison des relations internationales,
dimanche 21mai, 9heures (sur inscription).

Leïla Sebbar, désemparée

L'Orient est rouge, de Leïla Sebbar, Elyzad, 140 p., 15,70 .

Née d'un père algérien et d'une mère française, Leïla Sebbar a souvent
dit que son histoire familiale la menait à écrire à cheval entre
l'Occident et l'Orient. Le mouvement du premier vers le deuxième est
au coeur de ce recueil de nouvelles, dont tant de personnages, qui ont
grandi en France, souvent sans connaître grand-chose de «la langue des
glorieux ancêtres» ou de la religion musulmane, ont tout quitté, leurs
parents, leurs études, leur vie entourée de «mécréants» pour gagner la
Syrie. Qu'est-ce qui les y a poussés? Leurs proches (Leïla Sebbar
montre surtout des mères totalement désemparées) n'en savent rien,
tout comme ils n'avaient aucune idée de ce qui se tramait avant le
départ de ces jeunes gens pour «cette guerre-là, dans un pays inconnu
où la langue n'est pas la langue de ses montages d'outre-mer», comme
le note la mère de «Kahena». Dans ces textes écrits d'une plume sèche
et nette, l'écrivaine ne s'aventure pas dans des spéculations
psychologiques. Elle ne comprend pas cette séduction de l'Orient
«rouge» sang, cette délectation d'enfants éduqués à faire brûler dans
un feu de joie (réel ou métaphorique) leurs livres, et tout ce qu'ils
ont appris, pour devenir «les héros d'un monde nouveau». Et c'est dans
cette incompréhension que gît l'intérêt de ces nouvelles, leur
complexité dépourvue de clichés. R. L.

Petit déjeuner littéraire. Leïla Sebbar dialogue avec Jean-Antoine
Loiseau. Comédie du livre, Hôtel Mercure, dimanche 21mai, 10heures.

https://urldefense.proofpoint.com/v2/url?u=http-3A__www.lemonde.fr_livres_article_2017_05_18_comedie-2Ddu-2Dlivre-2Dcinq-2Dlivres-2Dde-2Dcinq-2Dauteurs-2Dinvites-5F5129575-5F3260.html&d=DwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=LVw5zH6C4LHpVQcGEdVcrQ&m=WzZ0PRiGUurbysqFGYp1OI3vUwwy3wvFmEQQb2nDOCg&s=jZLrVFHr9M3B9XIvB6llVyGlxk34ukJUiyWDxaS8BVw&e=
 

Yerevan City Council election: Voter turnout 11.19 % as of 11:00

The Central Electoral Commission reports that 94,256 citizens or 11.19 percent of eligible voters cast their ballot in the Yerevan City Council elections as of 11:00.

The voter turnout by administrative districts:

Ajapnyak – 12,52%
Avan — 17,40%
Arabkir — 8,67%
Davtashen — 12,03%
Erebuni— 12,15%
Kentron — 8,32%
Malatia-Sebastia – 9,91%
Nor Nork -10,38%
Nork Marash — 12,42%
Shengavit — 14,92%
Kanaker-Zeytun – 7,63%

Three forces are running in the election – Yelk bloc, Yerkir Tsirani Party and Republican Party of Armenia.

Armenian Genocide to have a permanent space in the Museum of the Memory of Rosario, Argentina

 – On April 24 the Museum of the Memory of Rosario, Argentina, inaugurated a permanent space on Armenian Genocide.

The Museum of the Memory (Museo de la Memoria) was opened in 1998 to promote access to knowledge and research on the situation of human rights and political memory of Argentina and Latin America. The patrimony includes material about human rights violations in Latin America and the world, particularly on the actions of state terrorism during the last military dictatorship in Argentina.

The exhibition shows the research work of the Armenian Chair of the National University of Rosario. During the inauguration, sponsored by the Armenian Embassy in Argentina and Aeropuertos Argentina 2000, a number of students were present. Viviana Nardoni, director of the Museum of the Memory, Vice-President of the National University of Rosario Fabian Biccire and Nicolas Sabuncuyan, director of the Armenian National Committee of Argentina also attended the inauguration.

Artsakh President congratulates Armenia on parliamentary elections

On 4 April Artsakh Republic President Bako Sahakyan sent a congratulatory address to President of the Republic of Armenia Serzh Sargsyan in connection with the 2017 National Assembly elections.
The address runs as follows:

“Your Excellency,

On behalf of the Artsakh Republic people, authorities and myself, I congratulate You and Armenia’s citizens on the parliamentary elections held on April 2, 2017.

The elections took place in an atmosphere of free and active competition which was confirmed by the international observers.

I am confident that the elections and the new governance system to be formed will contribute to the consistent development and strengthening of Mother Armenia, raising the governing efficiency and cementing the independent Armenian statehood.

I congratulate You once again and wish peace, good luck and all the best.”

Artsakh can never be part of Azerbaijan under any status: MFA

The Armenian Ministry of Foreign Affairs has issued a statement on the anniversary of the Azeri aggression against Artsakh: 

It has been a year since Azerbaijan’s April aggression against Artsakh.

During four days of April 2016 Azerbaijan conducted the same type of aggressive actions and barbarism against population of Artsakh, that it had carried out for about four years in the beginning of 1990s, when it had tried to deprive the people of Nagorno-Karabakh from their right to live in their homeland and to exercise their right to self-determination.

We pay tribute to the memory of all heroes who fell repelling the attack of Azerbaijan against Artsakh and who gave their lives to prevent mass atrocities against the people of Nagorno-Karabakh.

While the international community was condemning the gross violations of International Humanitarian Law by the Azerbaijani armed forces, Baku was praising the acts of barbarism and their perpetrators.

Azerbaijan’s adventurism severely damaged the peace process.

On May 16 in Vienna, upon the initiative of the US Secretary of State, and on June 20 in St. Petersburg, at the invitation of the President of Russia, the meetings of the Presidents of Armenia and Azerbaijan took place aimed at stabilising the situation, preventing new escalation and creation of conditions conducive to the advancement of the negotiation process. As an outcome of those meetings it was emphasised that it is necessary to settle the conflict exclusively through peaceful means, to strictly adhere to the 1994-1995 trilateral ceasefire agreements, which have no time limitations. It was agreed to establish in the shortest possible time an investigation mechanism for ceasefire violations and to expand the capacities of the team of Personal Representative of the OSCE Chairperson-in-Office.

However, Azerbaijan refused to implement the reached agreements and found itself in an isolation by opposing to the international community.

The highest leadership of Azerbaijan openly lies when it claims that the Co-Chair countries allegedly recognise Nagorno-Karabakh as part of Azerbaijan. It pretends as if it does not understand what the Co-Chair countries are referring to when they say that the people of Nagorno-Karabakh should implement its right to self-determination through the legally-binding free expression of will. Armenia shares the same approach: indeed, the final legal status of Nagorno-Karabakh should be determined by the people of Artsakh. That forgery of Baku exposes the failure of the policy of Azerbaijan. After failing in the negotiation process Baku resorted to the military solution but failed again.

The April war once again vividly proved that Artsakh can never be part of Azerbaijan under any status, and that the implementation of the right of the people of Artsakh to self-determination is irreversible.

In response to Azerbaijan’s continuous threats to use force, the international community clearly warns that it will not be tolerated.

As a guarantor of Artsakh’s security, Armenia will ensure the safety of the people of Nagorno-Karabakh. Together with the OSCE Minsk Group Co-Chair countries we will continue the efforts aimed at exclusively peaceful settlement of the Nagorno-Karabakh conflict.