Armenian Orthodox primate calls Nasrallah a patriot

Tehran Times, Iran
July 30 2006

Armenian Orthodox primate calls Nasrallah a patriot

Tehran Times Political Desk

BEIRUT (MNA) — Resistance is not only a right but also mandatory for
the Lebanese nation, Primate of the Diocese of Lebanon Bishop Kegham
Khatcherian told the Mehr News Agency here on Friday.

The Armenian Orthodox bishop condemned Israel’s continuing attacks on
Lebanon, saying that the massacre and displacement of innocent people
is not acceptable in any interpretation of international law.

`Over the course of history, any nation whose lands were occupied had
the right to resistance.

`If a group is attacked in our country, it means all other groups
have been targeted. We are like a family in Lebanon, and we should be
united,’ he added.

Khatcherian noted that the doors of all Christians’ houses are open
to Lebanese refugees during the war.

He expressed hope that the diplomatic efforts to return calm to
Lebanon will bear fruit as soon as possible. Describing Hezbollah
leader Hassan Nasrallah as a wise and patriotic figure, he said, `We
will support those who favor a ceasefire in the war.’ RS/ END MNA

Manuk Gasparyan Warns Gagik Tsarukyan

MANUK GASPARYAN WARNS GAGIK TSARUKYAN
X-Sender: Asbed Bedrossian <[email protected]>
X-Listprocessor-Version: 8.1 — ListProcessor(tm) by CREN

Lragir.am
28 July 06

Member of Parliament Manuk Gasparyan commented on the situation inside
the Armenian government July 28 at the National Press Club and
announced that there are no controversies between the president and
the minister of defense. Gasparyan thinks that everyone who thinks so
is mistaken.

`It is 99 percent that there are no controversies between them. Simply
by supporting and approving Gagik Tsarukyan’s party in the
beginning,Robert Kocharyan later started to think that people are
looking for a leader, andGagik Tsarukyan is not a bad personage, it is
possible that it becomes a big organization, but later when Robert
Kocharyan is not a president, this organization may end up badly. In
other words, he did not trust Gagik Tsarukyan, therefore he set up
this organization,’ says Manuk Gasparyan hinting at the Republican –
Serge Sargsyan alliance. Of course, in this case it is not clearwhy
the president set up Bargavach Hayastan if he was not going to trust
it. Manuk Gasparyan does not give a clear answer to this question. He
only says that Bargavach Hayastan was definitely approved by Robert
Kocharyan.

`In my opinion, I do not support Gagik Tsarukyan, but I think he is
letting down businessman Gagik Tsarukyan. Because if there is a change
of power, and Robert Kocharyan loses everything that he wants to keep,
that is the wheel, Gagik Tsarukyan may be soon punished by the
reproduced power. Gagik Tsarukyan should keep it in his mind. Maybe he
knows better than I do. I do not know,’ says Manuk Gasparyan.

According to him, Bargavach Hayastan is not the worst of trouble
because unlike the Republican Party is not a criminal alliance by 70
percent. Manuk Gasparyan thinks that Gagik Tsarukyan will give
something to people, whereas the crowd which became members of the
Republican Party with Serge Sargsyan will only take away, and will not
make anti-corruption efforts because it is the bearer of corruption.

IMF Highly Appreciates Cooperation with Armenian Government

IMF Highly Appreciates Cooperation with Armenian Government

PanARMENIAN.Net
26.07.2006 17:49 GMT+04:00

/PanARMENIAN.Net/ Armenian Foreign Minister Vartan Oskanian met today
with Permanent Representaive of the International Monetary Fund in
ARmenia Nienke A. Oomes, reported the RA MFA press office. The
interlocutors discussed the Armenia-UMF cooperation. Former OMF
Permanent Representaive James McHugh, who was also present at the
meeting, gave a high estimate to the collaboration with the Armenian
government and successful implementation of joint projects. By the
guest’s request Vartan Oskanian briefed on the current stage of the
Nagorno Karabakh conflict settlement.

Robert Kocharian and Peter Semneby Discuss Armenia-EU Relations, Nag

ROBERT KOCHARIAN AND PETER SEMNEBY DISCUSS ARMENIA-EU RELATIONS, NAGORNO
KARABAKH PROBLEM AND REGIONAL DEVELOPMENTS

YEREVAN, JULY 24, NOYAN TAPAN – ARMENIANS TODAY. On July 24,
RA President Robert Kocharian received Peter Semneby, Special
Representative of EU to the South Caucasus.

As NT was informed from RA President’s Press Office, Armenia-EU
relations, in particular, issues relating to coordination of the
Actions Plan with Armenia within the framework of the European New
Neighborbood program were discussed at the meeting.

They also spoke about the Nagorno Karabakh problem and regional
developments.

Two Armenian boxers reach the semifinal of the European Championship

Two Armenian boxers reach the semifinal of the European Championship

ArmRadio.am
21.07.2006 14:30

Two out of nine Armenian boxers continue the struggle in the European
Championship under way in the Bulgarian city of Plovdiv.

Hovhannes Danielyan (48 kg) of Yerevan Hrachya Javakhyan (60 kg)
of Vanadzor have reached the semi-final.

In the quarterfinal held July 20th Vachagan Avagyan (51 kg) of Yerevan
lost to Samir mamedov from Azerbaijan. Gevorg Tamazyan yielded to
Hungarian Dyula Kate.

RA Boxing Federation informs that the Armenian boxers were expected
to show better results, especially after the successful start. In the
semifinal Hovhannes Danielyan will fight David Hayrapetyan of Russia.

Distribution Network To RAO EES

DISTRIBUTION NETWORK TO RAO EES

Lragir.am
19 July 06

The Public Services Regulatory Commission unaninimously decided July
19 to allow Midland Resources owning Electric Network of Armenia to
sell 100 percent of shares of the Electricity Distribution Networks of
Armenia to Interenergo, a company of Russian RAO EES. Samvel Arabajyan,
member of the Public Services Regulatory Commission told ARKA News
Agency that conditions connected with the Electricity Distribution
Networks of Armenia do not change, it is simply transferred from one
company to another. Anatoly Vagner, deputy executive director of Inter
RAO EES announced that the company will invest 7 million dollars in
the network within the upcoming month. The money will be directed
at modernization of equipment.

"Golden Apricot" III Yerevan International Film Festival Finishes

"GOLDEN APRICOT" III YEREVAN INTERNATIONAL FILM FESTIVAL FINISHES

Yerevan, July 17. ArmInfo. Last Saturday, the official closing
ceremony of "Golden Apricot" III Yerevan International Film festival
took place at "Moscow" movie theatre, on July 16.

In the course of the arrangement, the jury announced the winners of
the festival. In particular, the grand prix of the festival for the
best feature film went to "The Three Times" by Hsiao-hsien Hou from
Taiwan. Within the framework of the same competition the special prizes
went to "The Legend of Time" by Isaki Lacuesta from Spain and to "Trip
to Armenia" by Robert Guediguian, France. Besides, the jury awarded
posthumously Ara Vahouni with special diploma for his contribution
to the Development of the Armenian Cinema. In "Best Documentary Film"
nomination the grand prix went to Michael Glawogger(Austria) for his
"Workingman’s Death" film. In the same nomination a special prize
went to the Brazilian film director Marcos Prado for his "Estamira"
film. Besides, the jury awarded Gunnar Bergdahl for his "Ljudmila
& Anatolij" with the special diploma of the festival. Within the
framework of "Armenian Panorama" competition, the grand prix went to
"The Dwellers of Forgotten Islands" by Hrant Hakobian. The special
prize in the same program went to three films. In particular,
the special prizes went to "Genocide in Me" the film by Araz
Artinian(Canada), "My Name Is Happiness" by Vartan Hakobian(Russia)
and "The Lighthouse" by Marina Saakian(Russia). The prizes after
Sergey Parajanov for great contribution to the world cinema went to
Marco Bellocchio and Tonino Guerra(Italy), Moskhene Makhmalbaf(Iran),
Artavazd Peleshian(Armenia) and Godfrey Reggio(USA). Besides, the
professional and non government organization also awarded prizes to
"The Summer in Berlin" by Andreas Dresen(Germany) and "Returning" by
Serge Avedikian(France). These prizes were awarded by RA Association
of Film Critics and Film Journalists.

For the first time after the establishment of "Directors across
Borders" organization approved by the European Cultural Parliament held
a seminar. Sousana Haroutiunian, Chairmworman of RA Association of Film
Critics and Film Journalists, stated that within the framework of the
seminar they decided to establish a network of regional film directors.

About 100 films by directors from 58 countries were shown within the
framework of the festival on July 10-15. The competition program
included films by Perdo Almodovar, Krzsystof Zanussi, Aleksander
German Junior, Rakhshan Bani- Etemada. The program of documentary films
includes the films by Mickael Glavoger, Gunar Bergdal, Sergey Loznica
and Victor Kosakovskiy. "The Armenian Panorama" competition included 25
films from various countries. Besides, the wolrd known film directors,
particularly, Iranian director Mokhsene Makhmalbafe, Italian Marco
Bellocchio, the French Armenian Robert Guedigiuian, and outstanding
Armenian film director Artavazd Peleshian and Aleksander Adabashian
delivered master classes at RA Picture Gallery on July 10-16.

It’s worth mentioning that journalists from 10 countries, including
"Euronews" and "Culture" TVs, as well as the German, French, Iranian
and Canadian journalists covered the film festival events.

Book Gives Insight on Real Kevorkian

BOOK GIVES INSIGHT ON REAL KEVORKIAN

The Capital Times (Madison, Wisconsin)
July 14, 2006 Friday
ALL EDITION

By Mary Bergin The Capital Times

The chapter is titled "Legacy," and it begins this way: "Jack Kevorkian
is used to fighting losing battles. The one he’s fighting now may be
his last."

How sad and ironic that he seems to be struggling alone.

The 78-year-old physician, long known as "Doctor Death" because of his
willingness to help dozens of terminally ill people end their lives,
is slowly fading from life and public sight. He is in a Michigan
prison and has multiple ailments, including hepatitis C, contracted
decades ago while being his own guinea pig during research.

To hear friend Neal Nicol tell it, there also is a disintegration
of spirit because of inadequate reading materials, no access to the
Internet and no musical outlet (Kevorkian is a longtime piano and
flute player).

"They pretty much shot him right down, and it appears to be working,"
says Nicol in a phone interview. He describes Kevorkian, whom he last
saw in May, as "pretty frail."

Nicol and Harry Wylie, another longtime Kevorkian friend, have written
"Between the Dying and the Dead: Dr. Jack Kevorkian’s Life and the
Battle to Legalize Euthanasia."

It is Kevorkian’s only authorized biography, one that attempts "to
correct the incomplete portrait … known by most Americans." Maybe
that sounds like the makings of a whitewash job, but the book is
about the doctor’s flaws and missteps as well as his lesser-known
charms and tender side of character.

This son of Armenian refugees (who escaped genocide) wrote music
and limericks, made a cheap film about Handel’s "Messiah," learned
to speak seven languages, produced a jazz CD ("A Very Still Life")
that earned a Grammy nomination in 1997.

It has been hard for him to be humble, and hard for him to lie. He
has never understood how a legislator could favor capital punishment
but be against euthanasia.

Many more people have asked Kevorkian for help to die than the
estimated 130 whom he has assisted.

"He is outspoken, brash, egotistical and intensely committed to the
causes in which he believes," the book states. "He is also a shy,
eccentric man who lived a monastic, ethical life, buying his clothes
from the Salvation Army and subsisting on the plainest of food,
particularly white bread."

The writing style is engaging, the subject matter is fascinating, and
there is no soft pedaling of details. These include the intricacies
of cadaver blood transfusion research, and exactly how ALS patient
Thomas Youk’s life ended in 1998 (the case that led to Kevorkian’s
present incarceration).

Kevorkian is painted as a gifted child who taunted teachers out of
boredom, yet not smart enough to know when/why/how his unconventional
ideas would backfire.

Had he been more savvy about how to introduce sensitive topics,
or latched onto others who were, perhaps the doctor would have been
granted the Nobel Prize that he once imagined for himself.

"We all have regrets," Nicol says, "and I think his biggest was
thinking that he could force the establishment into allowing terminal
patients to pass, pain free, at home with their loved ones."

Living wills and palliative care exist today because of Kevorkian, the
authors contend. His actions and philosophy have sparked right-to-die
and patient rights dialogue.

Nicol’s biggest regret, regarding his friend, is that Kevorkian fired
marquee trial lawyer Geoffrey Fieger and chose to defend himself after
Thomas Youk died. That decision worked to Kevorkian’s advantage no
more than the videotaping of his final meeting with the patient.

The doctor sent the tape to "60 Minutes" with hopes the airing would
force a change in laws. He expected a murder charge, but not the
categorization as a macabre fanatic who sought publicity.

Physician-assisted suicide remains illegal in 44 states (Wisconsin
included). It is legal in Oregon and has been decriminalized in Ohio.

If he could write an addendum to the book, Nicol would talk about
"how misguided trust in the justice system cost Jack seven years of
his life, when we are not sure how many he has left" and "how sad I
am that this crusader sacrificed so much to help so many."

Film rights to "Between the Dying and the Dead" have been purchased
by Hollywood’s Bee Holder Productions.

"In the most recent of his rare letters, he has told his friends
that he is ready to die," the book states. "He is faced with … a
terrifying future filled with misery" in prison and "there is no one
who can alleviate his suffering."

Kevorkian will be eligible for parole in 2007. "Since he is not
suffering pain — at least physically, I doubt he would want (his
life) to end," Nicol says. "Should they deny his parole, however,
that may change."

Between the Dying and the Dead By Neal Nicol and Harry Wylie UW Press
Terrace Books 273 pages, $27.95 E-mail: [email protected]

Surrealism Exhibit Coming to U. Michigan Museum

Surrealism exhibit coming to U. Michigan museum

Michigan Daily via U-Wire – Univ. of Michigan
University Wire
July 10, 2006 Monday

By Andrew Klein, Michigan Daily; SOURCE: U. Michigan
ANN ARBOR, Mich.

When it comes to expressing or understanding the human unconscious —
specifically through art — it’s an understandable cliche for the
viewer/reader to deem such exercises as psychedelic, trippy or just
plain weird. Right now, at the corner of South University Avenue and
South Forest Street, there’s some weird stuff going on.

Enter George Barsamian, an Armenian-American, New York-based sculptor,
whose exhibit, "Time and Transformation," running through September,
is the first to grace the University of Michigan Museum of Art’s
off-site gallery. UMMA’s Web site best describes Barsamian’s unique
medium as "three-dimensional animated sculpture." Such a description
hardly prepares the viewer for Barsamian’s aesthetic.

A former bicycle mechanic, the exhibit showcases how Barsamian uses
simple, dated techniques as his foundation. The zoetrope, invented in
1834, is a rapidly spinning hollow drum with images fixed along its
inner circumference. Slits along the outside allow light to enter. As
the machine spins, the human eye "fills in" the blank spots between the
images, creating the illusion of never-ending motion. Barsamian uses
this throwback technique, along with strobe lights, and incorporates
the surreal vocabulary of the unconsciousness. The result is an
incredible series of "three-dimensional animated sculptures" that
delight the eye and stimulate the brain: Salvador Dali in motion.

Since 1983, Barsamian has dutifully kept a tape recorder near his bed
for the purpose of immediately cataloguing his dreams before they slip
back into their unconscious beginnings. His observations are at the
center of what he calls a "three-dimensional window into the world
of the subconscious where the emotions run wild and self-deception
is an oxymoron."

It would be assumed, then, that such imagery would be highly subjective
— ideas and emotions personal to Barsamian. As a viewer, appreciating
Surrealist art (such as Dali’s iconic images) seems a crapshoot at
best. We might be able to read a metaphor or two, but in the end,
the artist’s unconscious remains incomprehensible. Barsamian, though,
is able to move beyond these limits.

In "Lather," two hands endlessly wash themselves. The dripping lather
morphs first into a paper bag and then into an egg, with cracks
over a human face with a third eye. Shocking and playful at first,
"Lather" is not solely a snapshot of the artist’s inner mind. It’s
a satirized allegory of humanity’s obsessive need for knowledge.
"Untitled," perhaps the exhibit’s most dynamic piece, shows a small
room with a large painting of a writer. Balled-up pieces of paper
writhe, slide and burn around the room, as the figure in the painting
tears up whatever it is he is writing and throws it through the frame
and into the room. Writers block has never been so elegantly stated.

Barsamian’s sculptures are not dedicated to either the unconscious
or visual phenomena — they are a dynamic combination of both. By
working with religious faith, the artistic conundrum as well as other
universal understandings, Barsamian’s surrealism doesn’t isolate
itself as incomprehensibly subjective. Whether the viewer attempts to
dissect his images, or simply enjoys the exhibit for its innovation,
Barsamian succeeds on all levels.

Is Barsamian pointing to a universal unconscious? Probably not. But
his sculptures transcend boundaries of media and perception. The
unconsciousness is an intangible balance of neural pathways and
faith. But Barsamian puts it into a recognizable context, one that
we all are a part of.

Azeri Side Statements Cast Shadow on OSCE Monitoring Mission

Azeri Side Statements Cast Shadow on OSCE Monitoring Mission

PanARMENIAN.Net
12.07.2006 14:24 GMT+04:00

/PanARMENIAN.Net/ The village of Talish of Mardakert region of
NKR is a historical Armenian settlement and it’s absurd to suppose
that Armenians demolish and set fire to their homes, head of the
department of information and propaganda at the NKR Defense Ministry,
lieutenant colonel Senor Asratyan told a PanARMENIAN.Net reporter when
commenting on the reports of Azeri Press new agency which said that
"no single construction was left in the village Talish after the
fires set by Armenians."

In his words, the village was reconstructed upon completion of
hostilities and now its residents cultivate agricultural products.

Senor Asratyan underscored that such propagandistic statements by
the Azeri side are primitive and meant for ignorant people. He also
remarked that these statements cast a shadow on the OSCE Monitoring
Mission, which contributes to the maintenance of the ceasefire. "As for
the fires, people all over the world know that the inflammation of dry
grass is quite possible over heat and lack of precipitation," he said.