Elina Danielian Continues To Compete In Women’s World ChessChampions

ELINA DANIELIAN CONTINUES TO COMPETE IN WOMEN’S WORLD CHESS CHAMPIONSHIP

oyan Tapan
Mar 13 2006

YEKATERINBURG, MARCH 13, NOYAN TAPAN. A regular women’s world chess
championship started in the Russian city of Yeketerinburg. It is
held among 64 women chess-players by the “Knockout” contest rules
when those defeated in short competitions are left out of the further
competition. Lilit Mkrtchian, one of 2 representatives of Armenia, was
left out of the competition. She drew the main two games with Chinese
Ruan Lufey but was defeated in one of 2 additional games drawing
the next one. So, Lilit Mkrtchian was defeated with a score of 1.5
to 2.5. Another grand master from Yerevan, Elina Danielian, ended the
competition with the same score but in favor of herself. Elina defeated
Romanian Christina Foyshor and is to compete with representative of
Russia Alexander Kostenyuk in the second tour. By the way, the latter
defeated Armenian chess-player Natalia Khudgarian representing Canada
with a score of 2 to 0.

U.S. pundits suppress honest look at history

Daily Nebraskan via U-Wire
University Wire
October 12, 2005 Wednesday

U.S. pundits suppress honest look at history

By Andrew Moseman, Daily Nebraskan; SOURCE: U. Nebraska

LINCOLN, Neb.

Last month, Turkey’s streets erupted in rage. With its admission into
the European Union up in the air, the nation has been under
increasing pressure to acknowledge what many people consider a
genocide against Armenians in the early 20th century.

An academic conference had been organized to discuss the issue but
was pushed back and nearly cancelled after massive protests,
including the justice minister calling the admission a “stab in the
back to the Turkish nation,” according to Al-Jazeera.

In a nation without the same codified tradition of free speech as the
United States, perhaps this shouldn’t surprise. This kind of thinking
isn’t supposed to prevail back home.

In America, the shining light of free expression, citizens should
understand the importance of open exploration of history, both
glorious and ugly, and of questioning the past in order to avoid
duplicating mistakes. Practically, we know this doesn’t always
happen, but watching the nation’s powerful pundits, those who stir
national discussion, casts serious doubts on Americans’ ability — or
even willingness — to deal with their past.

To keep up on U.S. events during my Swedish study abroad, I
occasionally break down and watch bits of American TV online. Last
week it was clips from “The O’Reilly Factor,” and what I heard last
week sounded eerily familiar to the reports out of Istanbul.

O’Reilly’s goal this particular week was to put a smear-job on Cindy
Sheehan, the now-famous woman who became an anti-war activist after
her son’s death in Iraq, and he started with a Sept. 21 interview
with Phil Donahue.

Donahue’s semi-relevance stemmed from his public stance as a Sheehan
supporter. And with his token guest in place, O’Reilly had the
opportunity to spill his own feelings about her. Sheehan is a
“radical,” O’Reilly says because she said Israel is occupying
Palestine and that the American operations in Afghanistan have been a
failure.

The most egregious sin, though, is that she “has accused Americans of
killing people ever since we stepped on this continent,” O’Reilly
said on the show. He repeated the charge three days later, when he
brought on Wesley Clark and lambasted the general for meeting
publicly with Sheehan, which “lends her credibility.” And O’Reilly
went back to the same line — repeating that Sheehan is a radical for
stating that Americans have murdered people.

I don’t know out of what context O’Reilly pulled these statements; if
Sheehan did use them as reasons to oppose the Iraq war, it’s a
juvenile argument. But on the level of fact, it’s hard to deny the
fact that Europeans behaved rather brutally since day one of their
little New World adventure.

Of course, historical denial isn’t new with O’Reilly. If you saw the
documentary “Outfoxed,” which, in all fairness, was just as much
wholesale propaganda as the Fox News it criticized, you probably
remember Jeremy Glick. After his father died in the Sept. 11, 2001,
attacks, Glick had the audacity to bring up America’s history of
financing some of the people who later became its enemies, like
Saddam Hussein. O’Reilly subjected Glick to a highlight-reel worthy
tirade, raising his blood pressure 10 or 20 points in the process.

Think what you want about Sheehan, Glick or anyone else; I’m not here
to defend them. When you enter the public sphere, you have to know
you’ll encounter criticism. The point is the dangerous rhetorical
fashion in which O’Reilly tries to marginalize those who dare to
deviate from “The Factor” line.

In the Clark segment, O’Reilly makes little, if any, effort to
discuss the actual issue of Sheehan’s activism — the war. When Clark
tries to introduce his ideas about what to do in Iraq, O’Reilly jerks
the segment right back to his line of logic for attacking Sheehan
personally — she said bad things about the country; therefore, she’s
a bad person.

So if you’re keeping score at home, anyone who brings up inglorious
facts about the country’s past is a radical, if not guilty of
outright treason. My, my, that sounds a lot like … Turkey. It’s not
terribly reassuring to know that after two centuries plus of
democracy, American public discourse gravitates to the same common
denominator as in a nation with a much younger and rockier history of
operating the “of the people, by the people, for the people” machine.

Noting that in the past, Americans have killed American Indians or
that Turks have killed Armenians doesn’t make someone a radical or a
traitor — it makes them a reasonably aware historical observer. Yet,
by making any insinuation of skeletons in America’s closet tantamount
to radicalism, O’Reilly and many others like him make reasonable
political discussion nearly impossible.

The powerful have always authored history, and personal attacks are
the lifeblood of American politics. But this game is different — not
rewriting history, but making ugly historical events untouchable. It
frees a nation from accountability and, perhaps more importantly,
impedes the nation from taking any lessons.

If anti-historical bullying dominates more of the public sphere,
American political discourse will limp to an even lower low. If
bringing up an ugly moment in American history means being labeled a
radical, people won’t do it, and that means public discourse minus
the irreplaceable perspective of the past.

It Takes Two To Sing ‘Norma’

IT TAKES TWO TO SING ‘NORMA’
By Mark Stryker
Free Press Music Critic

Detroit Free Press
Oct 12 2005

One soprano has the voice, the other acting

All the buzz surrounding Michigan Opera Theatre’s production of
Bellini’s bel canto masterpiece “Norma,” which opened the company’s
fall season last weekend, centers on Armenian soprano Hasmik Papian
in the title role. She portrays the larger-than-life druid priestess
whose affair with the Roman proconsul, a rapscallion as well as the
sworn enemy of her people, ends badly for all. (Now, really, who saw
that coming?)

Bellini’s ‘Norma’ THREE STARS out four stars Michigan Opera Theatre

7:30 tonight

8 p.m. Fri.-Sat.

Detroit Opera House, 1526 Broadway

313-237-7464,

$28-$113

Hasmik Papian sings the title role tonight and Sat.; Brenda Harris
on Fri.

Papian has been making an international splash in the role, and since
great Normas appear as often as Halley’s Comet, Papian has begun
to generate enormous and perhaps unreasonable expectations. That’s
the price of admission with Norma, which demands Herculean stamina,
the agility and support to sing long-breathed melodies and a rush of
coloratura fireworks, and the acting skills to create a warrior and
woman of outsize passions and complexities.

Vocally, Papian delivered the goods Saturday, spinning Bellini’s
glorious melodies into a web of lyricism. Her tone was pure and
golden. Her alluring high notes floated as if on clouds, shaped by
diminuendos of exquisite control. Her coloratura was accurate, lovely,
legato and feminine. She sounded fresh enough at the end to sing the
opera again.

Her “Casta Diva,” Norma’s famous prayer, was to die for, and her
duets with romantic rival Adalgisa — sung with grand eloquence by
mezzo soprano (and Detroiter) Irina Mishura — were as thrilling as
anything I’ve heard in 10 years at the Detroit Opera House. Yet long
stretches fell curiously flat, and had I not returned Sunday to hear
American soprano Brenda Harris replace Papian at the matinee, I might
have chalked it up to the dramatic inertness built into the opera.

Harris’ voice is weightier, her coloratura more earthbound and
her pitch less secure. She produced some sweet vocal moments but
no magic. Yet she conveyed the mercurial temperament that Papian,
for all her vocal splendor, rarely reveals. When Norma shifts into
Medea-mode and nearly kills the children she has borne with the
proconsul Pollione, I never believed that Papian might use the dagger;
but I feared for those kids when Harris stood over them.

Harris stalks the stage, exploring the political and personal
dimensions of the tragedy, and she is not afraid to twist her voice
into expressions of pain, anguish or ambivalence; Papian favors
minimalist gestures, which is a reasonable choice, but she also seems
wary of making anything other than a beautiful sound, even when the
drama calls for it.

When push comes to shove, “Norma” is an opera in which pure vocalism
probably trumps all-around stagecraft, but critics are a greedy lot:
If you could merge Papian and Harris into a single soprano, you’d
have an unimpeachable Norma.

Elsewhere, MOT’s “Norma” is less complicated. Tenor Julian Gavin
sang with firm focus and ardor as Pollione on Saturday and looked
good in tights and a ripped shirt. Dongwon Shins’ barking tenor was
less compelling Sunday. Bass Arutjun Kotchinian is an impressively
stentorian Oroveso. The chorus sings with distinction.

Mario Corradi’s efficient direction does no harm, and conductor
Stephen Lord leads an enthusiastic if sometimes untidy orchestra.

John Pascoe’s sets and costumes, created for MOT’s 1989 production
starring an autumnal Joan Sutherland, eschew Stonehenge cliches in
favor of an early 19th-Century vision of ancient times. The sets are
disappointingly dingy, but they don’t detract from the irresistible
sport of hearing Papian and Harris try to scale Mt. Everest.

www.michiganopera.org

Suspect Booked In Cab-Pickup Crash

SUSPECT BOOKED IN CAB-PICKUP CRASH
Henry K. Lee, Chronicle Staff Writer

San Francisco Chronicle
Oct 11 2005

(10-11) 07:50 PDT SAN FRANCISCO — A suspected drunken driver was in
custody Monday after he ran a stop sign in San Francisco and crashed
into a taxi, killing the cab driver and a passenger.

The suspect, Kevin McGuinness, 43, of San Francisco was booked at
County Jail in the Sunday night crash that killed Yellow Cab driver
and cabbie activist Zareh Soghikian, 76, of San Francisco and Duke
University student Tyler Brown, 21, of Marion, Mass., authorities said.

Fellow cab drivers were stunned by Soghikian’s death. Soghikian
represented Yellow Cab drivers on the United Taxicab Workers’ executive
board and had been fighting to get health care benefits for cabbies,
friends said.

“Zareh was a fighter,” said Ruach Graffis, membership secretary for
the taxicab union.

The crash happened about 11:45 p.m. Sunday at Broadway and Webster
Street in Pacific Heights. Police say McGuinness, driving a Toyota
Tundra pickup, ran a stop sign moments after he had fled from a minor
accident about 10 blocks away at Polk and Washington streets.

The Toyota broadsided Soghikian’s Ford Crown Victoria cab, police
said. A witness in the earlier alleged hit-and-run saw the crash and
called police.

Soghikian, a San Francisco cab driver for 25 years, and Brown, who
was sitting in the front seat of the cab, were pronounced dead at
the scene.

Two other passengers, Brown’s half-brother and their friend, Michael
Giedgowd, were injured in the crash. Giedgowd suffered a broken
leg and a hip fracture and was in stable condition at San Francisco
General Hospital. Brown’s half-brother suffered cuts and bruises,
authorities said.

McGuinness was arrested on two counts of vehicular manslaughter and
one count of drunken driving causing great bodily injury.

Relatives of McGuinness declined to comment Monday. His sister, who
did not want her name used, said, “I’m just so emotionally distraught
right now, I can’t answer any questions.”

Brown had been a double major in biomedical and mechanical
engineering at Duke in Durham, N.C. He recently went to help rebuild
the tsunami-ravaged Indonesian island of Sumatra, according to
the university. In August, he traveled to Banda Aceh to rebuild
shrimp hatcheries for residents from the nearby village of Lamnga,
officials said.

Brown and other students used palm fronds and fishing nets to design an
aerator to increase shrimp yield and limit erosion of the hatcheries’
dirt walls.

Brown had been excited about the project, saying, “Seeing the
villagers using the aerator, it made me feel good to be physically
doing something to help. Up until that point, I hadn’t applied my
knowledge outside the classroom,” according to the university.

Brown’s family was unavailable to comment.

Soghikian, who was of Armenian descent and grew up in Egypt, ran his
own travel agency, Prestige Travel, from his home on Scott Street in
the Marina district, acquaintances said. While off-duty, he enjoyed
driving his Mercedes-Benz and tending to his cat, friends said.

Fellow cabbies said Soghikian’s death underscored the dangers of
driving in the city.

“I realized that this could be anybody,” said Thomas George-Williams,
40, a National Cab driver and chairman of the taxi union’s board. “We
all encounter situations like this every night. You can avoid it by
luck, but sometimes you don’t stand a chance.”

Another cab driver, Barry Taranto, agreed, saying, “You never
expect that somebody’s going to come barreling through a stop sign
on Broadway. There are so many drunk drivers out there, and you have
to always anticipate what the other driver is going to do.”

Major earthquakes around the world during the past 50 years

Major earthquakes around the world during the past 50 years

.c The Associated Press

Major earthquakes around the world in last 50 years:

Oct. 8, 2005: Pakistani Kashmir; magnitude 7.6; more than 1,700 killed.

March 28, 2005: Sumatra, Indonesia; magnitude 8.7; up to 1,000 killed.

Dec. 26, 2004: Sumatra, Indonesia; magnitude 9.0; more than 176,000 people
killed in 11 countries from earthquake and subsequent tsunami.

Dec. 26, 2003: Bam, Iran; magnitude 6.5; more than 26,000 killed.

May 21, 2003: Northern Algeria; magnitude 6.8; nearly 2,300 killed.

March 25, 2002: Northern Afghanistan; magnitude 5.8; up to 1,000 killed.

Jan. 26, 2001: India; magnitude 7.9; at least 2,500 killed. Estimates put
death toll as high as 13,000.

Sept. 21, 1999: Taiwan; magnitude 7.6; 2,400 killed.

Aug. 17, 1999: Western Turkey; magnitude 7.4; 17,000 killed.

Jan. 25, 1999: Western Colombia; magnitude 6; 1,171 killed.

May 30, 1998: Northern Afghanistan and Tajikistan; magnitude 6.9; as many as
5,000 killed.

Jan. 17, 1995: Kobe, Japan; magnitude 7.2; more than 6,000 killed.

Sept. 30, 1993: Latur, India; magnitude 6.0; as many as 10,000 killed.

June 21, 1990: Northwest Iran; magnitude 7.3-7.7; 50,000 killed.

Dec. 7, 1988: Northwest Armenia; magnitude 6.9; 25,000 killed.

Sept. 19, 1985: Central Mexico; magnitude 8.1; more than 9,500 killed.

Sept. 16, 1978: Northeast Iran; magnitude 7.7; 25,000 killed.

July 28, 1976: Tangshan, China; magnitude 7.8-8.2; 240,000 killed.

Feb. 4, 1976: Guatemala; magnitude 7.5; 22,778 killed.

Feb. 29, 1960: Southwest Atlantic coast in Morocco; magnitude 5.7; some
12,000 killed, town of Agadir destroyed.

10/08/05 12:54 EDT

Words of inspiration honored

Battle Creek Enquirer, MI
Oct 8 2005

Words of inspiration honored

Katie Oliveri
The Enquirer

Amber Suedmeyer for the Enquirer

>From left, the Kellogg Career Scholarship recipients – James Doty,
Dympha Martin and Maurice Anderson – stand next to Julie Bosley of
the Kellogg Co., which awarded a scholarship at the event.

The Enquirer

Photo: Atoyan
Nona Atoyan, 17, was inspired by 10 words written below a painting
hanging in the hallway of Kellogg Community College.

“Somebody was once a nobody who wanted to and did.”

It was that quote which made Atoyan, who grew up in Armenia, realize
that “one benefits from life exactly what they put into it.”

“No one was born a teacher…a lawyer…a president,” she wrote in a
personal statement. “We all are born with equal opportunities and
abilities to make the right choices and actually become
somebody…I’m a strong-willed, focused individual…on her way to
becoming a somebody.”

It was Atoyan’s words that earned her the Robert L. and Lois H.
Brenner Memorial Scholarship, in the amount of $1,500. Atoyan, in her
fourth semester at Kellogg Community College, received one of about
170 scholarships awarded to students this year at the third annual
fall scholarship luncheon Friday, hosted by the KCC Foundation.

“I’m so very happy to receive the award since I’m an international
student,” she said. “It’s a great help.”

Some recipients Friday had the opportunity to meet and thank donors
at the luncheon.

“It’s kind of like an inspiration to meet someone from the company,”
said Maurice Anderson, 19, who was awarded the Kellogg Careers
Scholarship. “I feel really important.”

Julie Bosley, manager of corporate public relations at Kellogg Co.,
said it’s a great opportunity to actually meet the students receiving
the money. The scholarship pays for a student’s full tuition and
recipients also intern at the company.

“It’s great and I’m happy to meet them,” Bosley said. “And also
giving them a chance to intern (at Kellogg) adds value to the
scholarship.”

“I’m just excited to meet anyone (from Kellogg),” said James Doty,
17, of Olivet, who also received the Kellogg scholarship. “I was
shocked when I actually won. It’s pretty overwhelming.”

The scholarships awarded for the 2005-06 academic year totaled
$213,150. The KCC Foundation, established in 1998, exists to
exclusively raise funds for students and programs.

http://www.battlecreekenquirer.com/apps/pbcs.dll/article?AID=/20051008/NEWS01/510080307/1002

Something Different At The Key: Mars Volta, System Of A Down

SOMETHING DIFFERENT AT THE KEY: MARS VOLTA, SYSTEM OF A DOWN
By Travis Hay

Seattle Post Intelligencer , WA
Oct 6 2005

Special To The Post-Intelligencer

It was a bill that could only be described as Armenian-metal and
prog-rock heaven Wednesday night at KeyArena with two of rock’s most
volatile and exciting acts, The Mars Volta and System of a Down,
playing powerful and entertaining sets.

MUSIC REVIEW System of a Down and The Mars Volta WHERE: KeyArena WHEN:
Wednesday night

Armenian quartet System of a Down — vocalist Serj Tankian, guitarist
Daron Malakian, drummer John Dolmayan and bassist Shavo Odadjian —
headlined with two hours of aggressive, intelligent and intense metal,
most of which came from its latest record “Mesmerize.”

Opening with “Soldier Side” and following with the politically
chastising “B.Y.O.B.,” the band kicked it into fifth gear from the
start and didn’t stop until its set was finished.

Odadjian’s braided beard spun through the air as he thrashed his
head from side-to-side and waved his arms in the air as if he were
conducting the mosh pit from the stage during “Psycho.” Tankian made
devilish clown faces while singing and his playfully demonic vocals
were spot on the entire night, especially during the band’s hits
“Chop Suey!,” “Toxicicty” and “Aerials.” As much fun as those two
were to watch, it was Malakian who was the most enjoyable to pay
attention to. His animated gestures, short stature and greasy hair
made him look like a heavy metal Squiggy.

Eight-piece experimental-progressive metal group The Mars Volta played
an awe-inspiring five-song set that lasted an hour. The closest thing
to a modern-day Pink Floyd, the group’s Latin-tinged music is tough
to describe. However, with an extreme assortment of instruments and
a charismatic singer whose vocals come in the form of a forceful
falsetto, the band is perhaps the most promising act in rock.

What holds back The Mars Volta are its quasi-conceptual records,
bilingual lyrics and loosely structured songs, many without hooks;
they’re a band you either get or don’t. Besides the standard drums,
bass and guitar, the instrumentation included maracas, cow bell,
saxophones, keyboards and a flute. Not since Jethro Tull’s heyday
has a flute rocked so hard onstage.

Singer Cedric Bixler let his body move wherever the music took
him, showcasing perhaps the best dance moves in rock while his
partner-in-crime, guitarist Omar Rodriguez-Lopez, led seamless
transitions between songs. The set was part jazz, part progressive
rock and part indescribable and it nearly stole the show.

PACE Chair Astonished At Actions Of Armenian Opposition Parties

PACE CHAIR IS ASTONISHED AT ACTIONS OF ARMENIAN OPPOSITION PARTIES

ARMINFO News Agency
October 5, 2005

STRASBOURG, OCTOBER 5. ARMINFO. Rene van der Linden, the PACE Chairman,
is astonished at the actions of Armenian opposition parties. According
to the ARMINFO special correspondent in Strasbourg, Mr. Van der Linden
displayed interest in the preparations for constitutional referendum
in Armenia. During the meeting with Tigran Torosian, the Vice- Speaker
of the Armenian Parliament and the head of the Armenian delegation at
PACE, Mr. Van der Linden wondered at the cause of criticizing the bill
of amendments and boycotting the constitutional referendum. T. Torosian
explained that the opposition is irritated because the progressive
constitutional reforms were suggested by the authorities and not by
the opposition itself. He also noted that some of opposition leaders
agree that the project of the new Constitution is much better than
the current one. -A-

Oskanyan And Lenmarker Discuss Prospects Of Karabakh Settlement

OSKANIAN AND LENMARKER DISCUSS PROSPECTS OF KARABAKH SETTLEMENT

Noyan Tapan News Agency
Oct 5 2005

YEREVAN, OCTOBER 5, NOYAN TAPAN. Goran Lenmarker, Special
Representative of the Chairman of OSCE Parliamentary Assembly
on Nagorno Karabakh issue, arrived in Yerevan for the purpose of
participating in the seminar of NATO Parliamentary Assembly. On October
5, Goran Lenmarker was received by RA Foreign Minister Vartan Oskanian.

According to RA Foreign Ministry’s Press and Information Department,
Goran Lenmarker presented the results of the OSCE PA annual session
held in July in Washington, during which the report of the OSCE PA
Chairman’s Special Representative was heard. The Minister positively
estimated the report noting that it gave the realistic picture of
the process of Nagorno Karabakh conflict’s peaceful settlement. Then
V.Oskanian and G.Lenmarker exchanged thoughts about the current state
and prospects of Nagorno Karabakh settlement.

Touching upon Armenia’s participation within the framework of the
European Neighborhood policy, the sides held the same opinion that the
elaboration of an Action Plan will open a new page in the Armenia-EU
relations.

RA Foreign Minister and OSCE PA Chairman’s Special Representative
touched upon the current state and prospects of Armenian-Turkish
relations at a bilateral level, as well as in the light of the
negotiations on Turkey’s membership to the EU.

PM: there’s no demand for provision on autonomy to Javakheti

ArmInfo News Agency
Sept 29 2005

ARMENIAN PM: THERE IS NO DEMAND FOR PROVISION OF AUTONOMY TO GEORGIAN
REGION OF SAMTSKHE-JAVAKHETI POPULATED WITH ARMENIANS

YEREVAN, SEPTEMBER 29. ARMINFO. At present, there is no demand for
provision of autonomy to the Georgian region of Samtskhe-Javakheti
populated with Armenians, Armenian Prime Minister Andranik Margaryan
says in an interview to the Armenian Public Television.

He says this issue is not on the agenda of the 4th sitting of the
Armenian-Georgian Intergovernmental Commission fixed for September 29
in Yerevan.