Culture: Paris to host Art of Armenia auction featuring ancient artifacts

PanArmenian
June 1 2017

PanARMENIAN.Net – Paris will host an Art of Armenia auction featuring rare Armenian artifacts: carpets, paintings, books, ancient cutlery and jewelry.

The event, to be organized by Leclere auction house, is due on June 2.

Among the lots featured are a bronze helmet of the King of Urartu Sarduri II (764 -735 B.C.) with a starting price of €55 000, a silver tetradrachm of King Tigranes the Great (starting price €7000-8000), a prayer book Tonatsuyts (14th-15th century) with a starting price of €45 000-50 000 as well as a renowned painting by Ivan Ayvazovsky, Tragedy in the Sea of Marmara (starting price €200 000).

Culture: International Children’s Day observed in Armenia

Xinhua, People's Rep. of China
June 1 2017
International Children's Day observed in Armenia
 
Source: Xinhua| 2017-06-01 21:55:57|Editor: ying
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YEREVAN, June 1 (Xinhua) — Hundreds of Armenian children marked International Children's Day on Thursday by drawing on the pavement of the Liberty Square here, which has become a tradition for the country.

The kids filled the landmark square in downtown Yerevan, drawing pictures depicting their dreams and ideas with chalk on the ground for everyone to see.

International Children's Day has become an important occasion in the South Caucasus country, with festivities and celebrations being held across many cities every year.

Following the drawing activity, the square will also stage a concert and other entertainment activities in the evening.

International Children's Day was established as a global holiday in Geneva, Switzerland in 1925 as the international community gathered for safeguarding children's well-being and freedom.

Culture: Charles Aznavour’s House-Museum opens in Yerevan

Public Radio of Armenia
June 1 2017

14:05, 01 Jun 2017

 

Charles Aznavour’s house-museum was opened in downtown Yerevan today, in a solemn ceremony attended by the legendary singer, his son Nicolas Aznavour, Armenia’s President Serzh Sargsyan and a number of guests. Minister of Culture Armen Amiryan handed the symbolic keys to Charles Aznavour.

The ceremony also marked the launching of the Aznavour Foundation that will aim to preserve the maestro’s cultural legacy. It will also work out and implement educational and social programs.

“All of our joint efforts should be targeted at the development of the Motherland to enable the youth to realize their dreams inside the country surrounded by beloved ones,” Aznavour said.

The singer says he has decided to establish the foundation after seeing the brilliant educational programs implemented in Armenia, the restoration of historic monuments and creation of new infrastructures.

President Sargsyan said “it’s an honor for Yerevan to host Charles Aznavour’s House-Museum.”

“We are delighted to be your contemporaries, that we have the chance to enjoy your art, your performances,” the President said.

“Aznavour is truly a legend, a legend that belongs not only to France and Armenia, but also the humanity at large,” he added.

He said “Armenia and France are tied by thousands of threads, and the visits of three French Presidents – Jacques Chirac, Nicolas Sarkozy and Francois Hollande- is a testament to this.”

“I do hope that newly elected President Emmanuel macron will continue the tradition and we’ll welcome him in this House-Museum,” President Sargsyan said.

He added that “opening of the Museum in Yerevan is an honor to us, and we’ll bear that honor with dignity.”

Culture: Tekeyan Celebrates 70th Anniversary with Brilliant Concert

Armenian Mirror Spectator
June 1 2017

From left, Hilda Hartounian (Chair), Saro Hartounian, Sarkis and Maral Jebejian (Benefactors)
Photo Credit: MaryLynda Bozian Cruickshank

Ani Kavafian (violinist), Archbishop Khajag Barsamian (Primate of the Eastern Diocese), Orion Weiss (pianist) and Ani Kalayjian (cellist)

By Florence Avakian

Special to the Mirror-Spectator

NEW YORK — It was a concert with gifted artists who ranked with some of the best in the world. And it celebrated an organization that has championed Armenian culture throughout its 70 years.

On Sunday afternoon, May 21, the Tekeyan Cultural Association (TCA) celebrated its 70th anniversary, presenting a piano trio concert at New York’s Alliance Francaise titled “The Armenian Spirit”. The performance featured internationally famed artists violinist Ani Kavafian, cellist Ani Kalayjian and pianist Orion Weiss.

Warmly welcoming the large crowd, TCA Greater Committee Chair Hilda Hartounian noted that the event “brings to light the importance of upholding the Armenian culture in our community and beyond. Since its establishment 70 years ago in Beirut, Lebanon, the Tekeyan Cultural Association has been a leader in Armenian cultural programming around the globe.”

Coming on stage to enthusiastic applause, the performers opened with Joseph Haydn’s tour de-force Piano Trio Hob XV: 27 in C Major. The festive three-movement piece combined turbulent dynamics with soft delicacy, changes of mood, and a spirited conclusion. The musicians demonstrated their virtuosic talents, playing with great confidence and perfect harmonic balance.

Thirty-four-year-old contemporary composer Mary Kouyoumdjian’s work Moerae, portraying the Fates, the Greek mythological trio, was a work that is basically unfamiliar to concert audiences. The three-movement modern composition musically tells the tale of three mythological women, Clotho, a spinner who spins the thread of life, Lachesis, the measurer who chooses the lot of life, and Atropos, the cutter who cannot be turned, and who at death cuts the thread of life with her shears. Though the work was both volatile as well as melancholic, it rang with much Armenian feeling.

The detailed program booklet described the composer as a first-generation Armenian-American who came from a family “directly affected by the Lebanese civil war, and the Armenian Genocide. She uses a sonic palette that draws on her heritage, and interest in music as documentary and background in experimental composition to progressively blend the old with the new.”

Sergei Rachmaninoff’s Trio Elegiaque #1 in G Minor, a profoundly beautiful and haunting masterpiece demonstrated the lyrical sounds of the violin, the lush tones of the cello, and the power of the keyboard. A romantic , nostalgic work, a part of which reflected the soulful feeling of the composer’s “Vocalise”, it flowed mournfully and thematically, building to a pounding pitch, and ending with a foreboding quietude.

Armenian Nostalgia and Longing

Following the intermission, the Piano Trio in F Sharp Minor by famed Armenian composer Arno Babajanian (1921-1983), reflecting the visions of a life replete with both happiness and turbulence. The music is poignant, lyrical and rich with Armenian nostalgia and longing, and sweeping melodies which turn from dark emotions to tranquility.

Babajanian who composed, taught, and concertized extensively throughout the former Soviet Union, was also an ethnomusicologist who instilled in his students at the Yerevan Conservatory a love for their native folk music. Cellist Mstislav Rostropovich has described Babajanian as “a brilliant composer, fiery pianist, beloved neighbor and devoted friend for many years. Despite his early death, he made a significant contribution to the music of our time.”

The Babajanian composition, which concluded with a dramatic and powerful finale, brought on a standing ovation lasting for several minutes. Ani Kavafian congratulated the Tekeyan Cultural Association on its 70th anniversary, and announced that the trio would play an encore, the Scherzo by Eduard Abramyan, a glittering dance-themed work which brought on another lengthy ovation, and flower bouquets presented to each of the artists.

Among the dignitaries attending this anniversary concert were Diocesan Primate Archbishop Khajag Barsamian, Armenia’s Ambassador to the United Nations Zohrab Mnatsakanian, and concert benefactors Sarkis and Dr. Maral Jebejian.

Outstanding Artists

Violinist Ani Kavafian has been on the world’s famed concert stages for decades as a soloist, recitalist and chamber musician, performing with all of America’s leading symphony orchestras. A renowned chamber musician, she has performed with the Chamber Music Society of Lincoln Center since 1979.

Kavafian has often appeared with her sister, violist Ida Kavafian, and together they have recorded the music of Mozart and Sarasate on the Nonesuch label. They celebrated the 25th anniversary of their first performance together at Carnegie Hall in 2008 with a concert at Lincoln Center featuring their colleagues and students. An honor Master’s graduate of the renowned Juilliard School where she studied with the legendary Ivan Galamian, she plays the 1736 Muir McKenzie Stradivarius violin, and is a Professor of Violin at Yale University.

Cellist Ani Kalayjian, a Grand Prize winner of the International Chamber Music Competition of New England, and First Prize winner in the Anglo-Czechoslovak Trust competition in England, has performed as a soloist, recitalist, chamber musician and teacher in Japan, Australia, Canada, the Middle East and throughout Europe, and the U.S. Having made several trips to Lebanon, she has given outreach performances to needy communities, including St. Jude’s Children’s Hospital, Insan School for Iraqi and Syrian refugee children, Syrian refugee camps, Byblos Birds’ Nest Armenian orphanage, and the Karageusian Foundation.

Pianist Orion Weiss is another Juilliard School graduate where he won the coveted Gina Bachauer Scholarship. He has been a featured performer with major symphony orchestras throughout the US. The impressive list includes the New York, Boston, Chicago, Cleveland, Milwaukee, Baltimore, Los Angeles, San Francisco, Philadelphia, Pittsburgh, Toronto, and New World Symphonies, and the New York Philharmonic and Los Angeles Philharmonic, winning worldwide acclaim.

The TCA Greater New York Committee includes Honorary Chair Hagop Vartivarian, Chair Hilda Hartounian, Vice Chair Diana Mkhitarian, Treasurer Barkev Kalayjian, and Secretary Taleen Babayan. The advisors are Harout Chatmajian, Carmen Gulbenkian, Ani Hovanessian Esq., Vartan Ilandjian, Helen Misk, Jerry Misk and Marie Zokian.

Culture: Armenian Cellist Karen Ouzounian’s String Quartet Takes Top Prize in Osaka

Asbarez
            

Aizuri Quartet (Source: The Strad)

OSAKA, Japan (The Strad)—The Aizuri Quartet (U.S), featuring Canadian-Armenian cellist Karen Ouzounian, has won first prize, worth 3 million JPY ($27,000 USD), in the string quartet section of the Ninth Osaka International Chamber Music Competition in Japan.

The triennial event took place May 13-21 in the string quartet and wind ensemble categories, which ran alongside masterclasses, concerts, and an informal Festa, with no age or repertoire restrictions.

Second prize in the string quartet division, worth 1.5 million JPY went to the Ulysses Quartet from the U.S., while third prize, worth one million JPY went to the Viano String Quartet, also from the U.S.

This year’s jury was chaired by cellist Tsuyoshi Tsutsumi and included violinists Martin Beaver, Kazuki Sawa and Levon Chilingirian; violists Yoshiko Kawamoto and Homggang Li; and cellist Paul Katz.

Third prize winner at the 2015 Wigmore Hall International String Quartet Competition in London, the Aizuri Quartet comprises violinists Miho Saegusa and Ariana Kim, violist Ayane Kozasa, and cellist Karen Ouzounian. The ensemble was Ernst Stiefel String Quartet in Residence at the Caramoor Center for Music and the Arts from 2015 to 2016, and String Quartet in Residence at the Curtis Institute of Music in Philadelphia from 2014 to 2016.

Described as “radiant” and “expressive” (The New York Times) and “nothing less than gorgeous” (Memphis Commercial Appeal), cellist Karen Ouzounian approaches music-making with a deeply communicative and passionate spirit. At home in diverse musical settings, she has become increasingly drawn towards unusual collaborations and eclectic contemporary repertoire.

In addition to her work with the Aizuri Quartet, Ouzounian’s commitment to adventurous programming and the collaborative process has led to her membership in the Grammy-nominated, self-conducted chamber orchestra A Far Cry, and the critically-acclaimed new music collective counter)induction. Highlights of Ouzounian’s recent and upcoming seasons include performances of the Elgar Concerto in Chile with the Philharmonic Orchestra of Santiago, tours with the Silk Road Ensemble and Mark Morris Dance Group, recitals at the Caramoor Center for Music and the Arts with pianist Ieva Jokubaviciute, a tour of Japan with the Orpheus Chamber Orchestra, and tours with Musicians from Marlboro and Musicians from Ravinia’s Steans Music Institute. Additionally she has performed with The Knights, Trio Cavatina, and as guest principal of the St. Paul Chamber Orchestra, IRIS Orchestra, and Chamber Orchestra of Philadelphia.

Born to Armenian parents in Toronto, Ouzounian was a prizewinner at the 2012 Canada Council for the Arts Musical Instrument Bank Competition. She holds Master of Music and Bachelor of Music degrees from The Juilliard School, where she was a student of Timothy Eddy.

Sports: Ex-Tottenham forward Roman Pavlyuchenko joins Ararat Moscow

Public Radio of Armenia
June 1 2017
15:17, 01 Jun 2017

FC Ararat Moscow has signed former Spurs forward Roman Pavlyuchenko.

According to Championat.com, Pavlyuchenko has joined the new Moscow-based club on a one-year deal.

Established as a third-tier club in 2017, Ararat has received a license to play in the second league and hopes to play in the Russian Premier League next season. “Other options are not even being considered,” the club’s Vice-President Andranik Keropyan told the website.

The forward was a staple of Tottenham’s forward-line between 2008 and 2011.

Since leaving North London at the end of the 2010-11 season, Pavlyuchenko has turned out for a handful of relatively well-known clubs, such as Lokomotiv Moscow, Kuban Krasnodar and Ural.

The 35-year-old has been a free-agent since leaving Ural at the end of last season.

Entertainment: Iran TV uses green screen to bypass headscarf rules

Agence France Presse
 Wednesday 10:10 AM GMT


TOPSHOTS Iran TV uses green screen to bypass headscarf rules

Tehran, 

For Iranian viewers sitting down for this year's primetime historical
drama during the Muslim holy month of Ramadan, there was a shock: you
could see women's hair.

The director's trick: popping across the border to neighbouring
Armenia to film women without headscarves in front of a "green screen"
and then super-imposing them into the background of Iranian scenes.

"This is a technical achievement for our cinema and television that
can be of service in future," director Jalil Saman said in Wednesday's
Haft-e Sobh newspaper.

The month of Ramadan, which started on Saturday, is always a showcase
for high-profile TV serials and this year it is Saman's "Nafas" (or
"Breath"), about a nurse being dragged into the revolutionary tumult
of the late 1970s, that has garnered the most attention.

Iranian TV can show foreign films with unscarved women -- although too
much leg or cleavage gets blurred out or hidden behind a digitally
inserted object such as a lamp.

But local programmes must normally abide by strict rules in which no
female hair can be shown, even for historical dramas or scenes set in
a family home where real-life women do not cover their heads.

Saman said it would have been absurd to show everyone in a headscarf
since the show is set before the Islamic revolution of 1979 when women
were free to wear whatever they wanted.

Shows set during that period are usually "ruined", he told Haft-e
Sobh, because they cannot show how things really looked.

"They give the impression that Islam was followed more before the
revolution than today," he said.

"We have only shown a part of how it was before the revolution but
some cannot even tolerate this."

Saman said he was refused permission by the censors to use actresses
in wigs, a trick used for several high-profile shows in the past.

The other popular option -- having women in hats with scarves wrapped
around their ears and neck -- was "ridiculous" he added.

So instead Saman turned to "green screening", in which actresses are
filmed in front of a green background that can be digitally removed
and the character inserted into other scenes.

Iranian film-makers must obtain three separate authorisations: for the
script, filming and release.

But the authorities admit that a majority of Iranians now own a
satellite dish -- even though they are technically illegal -- beaming
in uncensored programming from all over the world.

It is part of the steady erosion of strict Islamic rules -- in
practice, if not in theory -- that has also seen headscarves pushed
further and further back, especially in wealthier parts of Tehran.

President Hassan Rouhani won a resounding re-election victory this
month, promising a further easing of social restrictions, although he
faces considerable opposition from the clerical establishment.

neg-er/kir

Tourism: Tourist arrivals to Armenia rise by 18.2%

Panorama, Armenia
June 1 2017

In January-March 2017, 1 298 533 tourists arrived in Armenia, which is a 18.2% increase compared to the same period of 2016.

From January to March 2017 tourist departures from Armenia rose by 17.1% to 266 324 people to compare with the same period of the previous year.

According to the reports by hotel facilities, 26.1% of tourists visited Armenia from the CIS countries, 14.2% – from the EU countries and 59.7% – from other states.

Key handover ceremony of Charles Aznavour House-Museum held in Yerevan

Panorama, Armenia
June 1 2017

Prominent Armenian chansonnier Charles Aznavour announced on Thursday about the establishment of Aznavour foundation and its first project of Charles Aznavour interactive House Museum launched in Yerevan. The House Museum will seek to preserve the global heritage of the Maestro and realize social and cultural programmes.

The solemn ceremony of the key handover ceremony was attended by Armenian President Serzh Sargsyan, who handed over the symbolic key of the Museum to Aznavour.

“It is great honor for me to be here and receive the keys of the House Museum, this culture center. I am immensely thankful for this generous gift. I made the decision to set up Aznavour foundation with my son Nikola with great confidence to continue my benevolent activity coming since 1988,” Aznavour said in his remarks. 

Armenian President in his turn stated: “We are happy to be your contemporaries and regularly enjoy your art and your performances. In fact, you are performing rather than signing on the stage, since every song of yours is a full-fledged artistic performance.”

“Aznavour is a legend, a walking legend, which belongs not only to France, Armenia and the Armenian people, but to the whole humanity. The Armenian-French relations are interconnected by thousands of ties and the proof of that is that the last three presidents of France – Jacques Chirac, Nicolas Sarkozy and François Hollande – have visited Armenia. François Hollande has paid three visits to Armenia; twice as the President of France. I do hope that this tradition will be upheld by President-elect Emmanuel Macron, and together with you, dear Maestro, we will host him in this house-museum,” the President added.

Armenian, German Scientists Hold Workshop in Byurakan

Asbarez


            

Scientists from Armenia and Germany held a workshop on May 23-24 in Nor Amberd, Byurakan, Armenia. (Photo: A. Alikhanyan National Laboratory)

BYURAKAN, Armenia—The first workshop on common scientific interests in the physical sciences between Armenia and the State of Brandenburg, Germany, (ARBRA 2017) was held on May 23-24 in Nor Amberd, Byurakan, Armenia.

German scientists from Deutsches Elektronensynchrotron (DESY), German Research Centre for Geosciences,  Leibniz Institute for Astrophysics and Potsdam University, together with the Brandenburg Minister of Science  and Culture, Martina Münch, the lord mayor of Potsdam, Jann Jakobs, the German Ambassador to Armenia Matthias Kiesler and  representatives from the German Academic Exchange Service (DAAD)  met about 30 Armenian scientists from Yerevan Physics Institute, Byurakan Observatory and the Institute of Geology of the National Academy of Science of Armenia, the representatives from the Armenian Ministries of Science and Education and the State Committee of Science. The aim of the workshop was to present existing cooperation, explore common scientific interests, and discuss potential future projects.

This workshop was inspired by a recent letter of intent, signed by the Brandenburg Minister of Science, Research and Culture and the Armenian Minister for Culture, with the goal of strengthening relations. A number of potential future projects were presented at the workshop. After the workshop, participants will pursue the collaborative projects.